Narcissistic Personality Disorder (NPD) : DSM-IV Diagnostic Criteria What is a personality disorder? A personality disorder is a pattern of deviant or abnormal behavior that the person doesn't change even though it causes emotional upsets and trouble with other people at work and in personal relationships. It is not limited to episodes of mental illness, and it is not caused by drug or alcohol use, head injury, or illness. There are about a dozen different behavior patterns classified as personality disorders by DSM-IV. Narcissistic Personality Disorder While grandiosity is the diagnostic hallmark of pathological narcissism, there is research evidence that pathological narcissism occurs in two forms, (a) a grandiose state of mind in young adults that can be corrected by life experiences, and (b) the stable disorder described in DSM-IV, which is defined less by grandiosity than by severely disturbed interpersonal relations. Translation: Grandiosity is the hallmark of narcissism. Translation: No translation needed.
Common, Yet Terrible Character Descriptors - And How To Fix Them When asked to describe their characters, many people tend to use the same over-generalized descriptors over and over. The result tends to be what I call a "Forer profile" - it's so vague that it can fit any number of characters - all of whom are wildly different - equally well. And when the same character description could fit a sneaky trickster as it could a determined soldier as it could a grad student opening a florist's shop, that's a problem. So, I'm going to outline how to give more and better information on your character to give people a better idea of what sort of person they're reading about. For the sake of simplicity, we'll go with "animals" for most of this particular section. Here are other examples of useful statements: "My character volunteers at the animal shelter."" All of the above statements are only a few words longer than "my character loves animals," but contain huge amounts of information in comparison. Fun is entirely subjective.
Basic Tips To Write Better (And More Likeable) Badasses Yet another character type that is often poorly-written by amateurs, many badass characters end up becoming completely unlikeable or even despicable. Here are a few tips to keep these characters from going this route. Your character needs to be more than tough and talented. Strong, sexy, smart, skilled, and sassy are all great character traits, but on their own they're going to leave you with a character who is at best forgettable, and at worst completely unlikeable. Stop and ask yourself: if you took away the skills and talents that make your character badass, do you think anyone would care about or want to associate with your character? Don't create an unstoppable kickass machine. Characters who are so awesome and unflappable that there's no doubt they'll win are boring to watch. Be careful that your character doesn't become an amoral/self-centered jerkass. Smirks are not shortcuts to cool.
Antisocial Personality Disorder Symptoms Antisocial personality disorder is characterized by a long-standing pattern of a disregard for other people’s rights, often crossing the line and violating those rights. It usually begins in childhood or as a teen and continues into their adult lives. Antisocial personality disorder is often referred to as psychopathy or sociopathy in popular culture. However, neither psychopathy nor sociopathy are recognized professional labels used for diagnosis. Individuals with Antisocial Personality Disorder frequently lack empathy and tend to be callous, cynical, and contemptuous of the feelings, rights, and sufferings of others. Lack of empathy, inflated self-appraisal, and superficial charm are features that have been commonly included in traditional conceptions of psychopathy and may be particularly distinguishing of Antisocial Personality Disorder in prison or forensic settings where criminal, delinquent, or aggressive acts are likely to be nonspecific. Causes of Antisocial Personality Disorder
So You Wanna Write/Play A Powerful/Talented Character That Probably Won't Be Perceived As A Mary Sue? Many, many, many times I've seen people complain that they can't write or play powerful characters without these characters being labelled as Mary Sues. I really have only one thing to say to this: it's probably either because your characters are Mary Sues, or because you're presenting your character the wrong way. Sure it's not the former? Okay, then let's get on to how you can present your character so people probably won't grab the torches and pitchforks. This article is largely intended for fan characters, though most of it applies to other character types as well. Start by describing what makes your character tick, not what makes xir special. When you begin your character profile/pitch, leave out your character's appearances, superpowers, and canon connections as long as you possibly can. If you have a well-developed character, you should be able to describe xir without mentioning xir powers, abilities, or canon connections quite easily. Remove irrelevant specialness.
Mary Sue Test Background A Mary Sue is an unrealistic type of literary character commonly created by inexperienced authors. Although they vary, a typical Mary Sue has an unreasonable number of cool or special traits, especially ones the author wishes he or she had, and they tend to accomplish things too easily, solve problems too neatly, and become the center of attention whether they deserve it or not. This test aims to help authors evaluate whether their characters are in danger of becoming Mary Sues by drawing attention to potentially problematic traits. However, authors should remember that a Mary Sue is a subjective classification. There is no such thing as a "Mary Sue trait"; any trait can be part of an interesting, well-balanced character. When taking this test, be honest, but keep it in perspective and remember context. The test has seven sections: This test comes from this thread in the Writer's Block subforum on TV Tropes. Section 1: Author Avatars Scoring 1-10: Your character is understated.
The Sixteen Personality Types - High-Level ISTJ - The Duty Fulfiller Serious and quiet, interested in security and peaceful living. Extremely thorough, responsible, and dependable. Click here for a detailed description of ISTJ. ISTP - The Mechanic Quiet and reserved, interested in how and why things work. Click here for a detailed description of ISTP. ISFJ - The Nurturer Quiet, kind, and conscientious. Click here for a detailed description of ISFJ. ISFP - The Artist Quiet, serious, sensitive and kind. Click here for a detailed description of ISFP. INFJ - The Protector Quietly forceful, original, and sensitive. Click here for a detailed description of INFJ. INFP - The Idealist Quiet, reflective, and idealistic. Click here for a detailed description of INFP. INTJ - The Scientist Independent, original, analytical, and determined. Click here for a detailed description of INTJ. INTP - The Thinker Logical, original, creative thinkers. Click here for a detailed description of INTP. ESTP - The Doer Friendly, adaptable, action-oriented.
The Universal Mary Sue Litmus Test Stuck with a case of massive writer's block? Has your muse gone on indefinite hiatus? Or are you just bored? Check out the random generators - with a click of a button, you can create characters, names, settings, items, and more for your creative works! The Universal Mary Sue Litmus Test How to use this test: First, if you're unsure of what a Mary Sue is, please read this page. Answer all questions for which the answer is 'yes' or 'technically yes' unless the item mentioned is so commonplace in the universe you are writing for that it doesn't really make your character remarkable or unusual. If your character is a role-playing character and the only reason you can answer 'yes' is because of other players acting of their own free wills (IE, everyone has their characters throwing themselves at your character's feet and you've done nothing to force this) do not answer yes to the corresponding question. Part 1 - All Characters Questions that pertain to all characters everywhere.
Writing Characters | Creative Writing Course In this fifth session in my free creative writing course, we will be looking at writing characters. In creative writing we become, in a way, like God. In short stories, novels and poems, we construct a world then fill it with people who take on a life of their own. Iris Murdoch described a novel as ‘a fit house for free characters to live in’. How far a literary construct can have free will is an ongoing philosophical debate; more pertinent to writers is whether plot should follow character or the other way around. Character, Plot and Message There are three kinds of stories: those that start from character, from plot or from message. A message-driven story is one where a writer starts with an idea or theme (enviromentalism, religion, anti-war etc) then crafts a plot and populates it with types who will best illustrate the message. A character-based story is when the characters are so memorable and well-drawn that the story would not exist without them. Starting from Character Motivation
What I Learned Writing Dreamlander: 6 Types of Courageous Characters What’s the secret to creating characters readers love? There must be a secret, right? Some magic formula that will make readers fall as madly in love with our characters as we have with other writers’ larger-than-life heroes and heroines. You’re probably thinking I’m going to say, “Sorry, but no, there’s no magic formula. Just hard work and luck.” And that is bravery. Readers adore courageous characters. Don’t try to make virtue take the place of courage. In writing my fantasy novel Dreamlander (coming December 2), I got to explore six different kinds of bravery: 1. When we think of heroes these days, we generally think of those who qualify for heroic bravery. What is it? This is the kind of bravery that makes a character do crazy dangerous stuff, either to protect others or to advance a cause in which he passionately believes. Examples: Spider-Man, Captain America, Indiana Jones, Luke Skywalker. 2. 3. This one is perhaps the least flashy of any type of bravery. 4. 5. 6. Audio Player
Introducing Characters - First Impressions Introducing Characters - First Impressions by Melanie Anne Phillipscreator StoryWeaver, co-creator Dramatica When your reader/audience first meets your characters in a story, it has the same effects as when you are introduced to someone in real life. First impressions have a tremendous impact that you can use either to establish or mislead your reader/audience as to the true nature of each character. You might tell your reader/audience all there is to know about a particular character right up front. But for another character, you may drop little bits of information over the whole course of the story. Then there is the question of who shows up first? Who is your Main Character? You know all about your characters while your audience knows nothing. Sometimes an author may want to have a character with a dark side, or a hidden side that will be revealed only later in the story. *Try either or both for 90 days.
Character Development: Creative Writing Print version Characters are the most important component of any narrative. Without them, there would be no story. The development of a character is a very detailed process, and one that requires a lot of thought. Physical Details about the character: Is he/she short, tall, thin, old, etc? Schaefer and Diamond also state that character development is more effective when the author reveals traits about the character through the ways mentioned above and allows the reader to make his/her own judgments, rather than stating character traits directly. Option 1) The author simply states: “The young boy was mischievous and he was always looking for the next way to cause problems for everyone else.”Option 2) The author mentions specific instances that the boy has caused trouble and reveals, through these cases, that he is mischievous and a troublemaker. Sometimes it is difficult to think of things to mention about a character to give more insight into his/her life. Further Reading Trackbacks
Bill Murray on storytelling If you are any kind of fan of Bill Murray at all, then you will enjoy this interview he did with Howard Stern last week. Murray, who is famously hard to get a hold of, does not do a lot of interviews like this, so it was a rare treat. It's not a performance. This is just two guys talking, but there are some gems in there and even a few bits relevant for presenters and speakers of all types. You can listen to the audio here, but I highlight two of the more relevant points for presenters below. On story and storytellingAt 18:55 in the audo track above Howard asks Bill how it is that he makes people laugh? Howard Stern: "Who teaches you to tell a story? Bill Murray: "No, I don't think you're born with it. The more you do it, the more relaxed you becomeHoward Stern says he is amazed at how Bill Murray is able to seem so relaxed. Bill Murray: "The more relaxed you are, the better you are. Public speaking and improv should be part of our education.