7 Essential Elements of Character Creation
Last week Nikki Jefford requested a post on developing characters. There are many different approaches toward developing characters for a story. Last year I wrote a post on different ways to get to know your characters which might help anyone getting started. The techniques I included were the use of visual aids, character questionnaires and family trees. Each author needs to find the technique that works for them. No matter what method an author chooses to adopt, there are a number of elements that are essential to include in the creation of every character: The name: Many writers will start with a name and build on the character from there. The appearance: There are a lot of factors to consider for the appearance of a character: their height and build, how they project themselves, if they have any scars or tattoos, and so much more. The motivation: The easiest way I get to know my characters is to find out what drives them. --I was recently tagged by Tiffany Garner.
Creative Writing For Dummies Cheat Sheet
Rewriting and editing helps to tighten up your work. But it can be difficult – what to chop and when to stop may not be clear, and you may change your mind more than once during the process. Ask yourself whether you need to take out: Unnecessary information and explanation. Passages of dialogue that go on too long. You may need to add or expand: Something you know but have forgotten to tell the reader; perhaps the age of the main character. You may need to move: Dramatic sections to make a stronger opening. In your final edit: Check for grammar, punctuation and spelling mistakes.
Where Should a Second Chapter Start?
on October 12th, 2010 by Fiction Editor Beth Hill and last modified on October 12, 2010 We’ve all read advice about the first chapter—how and where to begin a story; what makes for strong openings, depending on the genre; what not to include in the first paragraph or page of chapter one; what to include in a novel’s opening. We understand that a good opening chapter sets the tone and introduces lead characters and gets the plot rolling. We know almost as much about the final chapter, the final paragraph, and the final words. Yet, where’s the advice for chapter two? What do we do to move from that compelling first chapter—the one that’s seen more rewrites than all other pages combined and multiplied by 10—and into the meat of the story? We certainly want to continue the tone we’ve established. Sure there are. Where should a second chapter start? 1. 2. Start your second chapter with spice or delight or fun. After the invitation of chapter one, draw the reader deeper into your fiction.
How To Write a Death Scene | Writerly Life
People often visit Creative Writing Corner searching for answers about how to write a death scene, so it’s about time that I gave my thoughts about it. I was first given the assignment to write a death scene as a stand-alone piece when I was a freshman in college, in my very first creative writing class. I chose to write a creative non-fiction piece about a relative of mine. For someone witnessing the death of a beloved person, the scene is not just about the way the person is going. After the jump: more things to do in a death scene. It’s very easy to get cheesy in a death scene, instantly robbing your story of its tenderness and emotion. What made people respond to my written piece and call it poignant weren’t the heavy-handed bits or the sweeping generalizations, but the details. These are a few tips for writing a death scene in your own story or novel.
Show, Don't (Just) Tell (Dennis G. Jerz, Seton Hill University)
How to Plot a Character Driven Book in 3 Easy Steps | Historical Romance Author Robyn DeHart, Legend Hunters , Ladies Amateur Sleuth Society
Theme & Premise: Or How to Plot a Character Driven Book in 3 Easy Steps It is said that there are two types of writers: plotters and seat of the pants writers (or fly into the mist writers). Obviously the majority of us fall somewhere in between. I’m a serious plotter, one of those scene-by-scene plotters who knows primarily everything that will happen in the rough draft. Step 1 – THEME. To define your theme, you need to know what theme is, so what is theme? But how do you come up with a theme out of thin air, especially if you’re doing this with a book you haven’t even written yet? So now you have your theme, let’s move on to Step 2 – PREMISE/CHARACTER LESSON. This is the biggie for me when I’m doing my prewriting. Character lesson or premise is just what it sounds like: what does your character need to learn? Which brings me right into Step 3 – CHARACTER ARC. Now comes the plotting. That’s it. As for you plotters out there, I recommend using this from the very beginning.
Where to Find Ideas for Writing a Story
Ideas for writing a story It always seem like there are too many writing ideas or not enough. When you don’t have time to write, ideas come hurtling out of nowhere. Sometimes, they come so fast, you can’t even write them all down. Then, when you sit down, stretch your fingers, and lean over your keyboard to start typing, nothing happens. Where did all those ideas go? Chances are, you’re not really out of ideas; you’re just not in the mood to write. Luckily, ideas for writing a story are all around you. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. What kind of stories do you write? About Melissa DonovanMelissa Donovan is a website designer and copywriter.
Writing Tips - General
On other pages of this site, you can read many of my best writing tips. But this page is for you! Your tip can be about a grammar or spelling rule, the writing process, or how to get published. Click below to see writing tips from other visitors to this page... Spelling, Spelling, Spelling!!!!!! What to do for Writers' Block. Agony first, ecstasy second As you and your contributors have noted, reading is essential; lots of reading and extra reading in fact cannot be emphasized enough. Avoid time warp Keep notes of details and timeline separate from what you will write or need to write in your novel. Google Images for the win! Your writing - your interests One problem I often face is that I get bored half - way through. Cliches and Sterotypes We always roll our eyes at these. interesting characters Think of how you would you be if you were the character you describe. Add a bit of everything When you're writing a book you must add a small bit of everything. Backwards! enjoy it! Written.
10 Creative Block Breakers That Actually Work
Doesn't matter what you call it: writer's block or creative block or simply "Where is my inspiration when I need it?!" All creative individuals find their work coming less easily at some times than others. That's when you need strategies, and plenty of them. There are at least 90 such tips, tools, and techniques in , edited by Alex Cornell, with a foreword by Erik Spiekermann. is a fresh compilation of practical, real world solutions offered by a range of creative individuals, including graphic designers, artists, writers, and photographers. The insights in this perkily designed, light-hearted, and useful little volume are sometimes amusing, often unexpected. to find it more compelling. Place an ink-stained handprint on its blankness so you have something to fix. You can't criticize the results. Consider this: "I'm not running out of ideas, just trying to push myself into better ones." in your episodes of creative block. to conceive of your blocks. , not just one. Blocked?
