Photoshop * Erstellen eines Kontaktabzugs (CS5) Erstellen von Kontaktabzügen mit Adobe Bridge Die Such- und Sortierungsfunktionen von Adobe Bridge vereinfachen das Erstellen von Kontaktabzügen. In Bridge werden mithilfe des Adobe Output Module Kontaktabzüge im PDF-Format erstellt, die mit dem kostenlosen Adobe Reader beliebig überprüft, kommentiert und gedruckt werden können. Entsprechende Anleitungen und Links zu nützlichen Tutorials finden Sie in der Hilfe zu Adobe Bridge unter Erstellen eines PDF-Kontaktabzugs. Verwenden des älteren, optionalen Photoshop-Zusatzmoduls Da Adobe Bridge über aktualisierte Funktionen zum Erstellen von Kontaktabzügen verfügt, wird das Kontaktabzug-Zusatzmodul nicht mit Photoshop installiert. Laden Sie das Zusatzmodul für Windows oder Mac OS herunter und installieren Sie es.Ausführen von Photoshop im 32-Bit-Modus (nur 64-Bit-Version von Mac OS).Führen Sie einen der folgenden Schritte durch:(Photoshop) Wählen Sie „Datei“ > „Automatisieren“ > „Kontaktabzug II“.
Hotel Kappa Mestre Our Ratings: 3 starsBoard Basis: Breakfast inclusiveLocation: Mestre/Venice, ItalyNearest International Airports: 1) Venice (VCE) Marco Polo Airport, 14 km (20 min) 2) Treviso (TSF) Airport, 30 km (35 min) An Outline This small, beautiful house, renewed into a hotel from a typical venetian villa of the beginning of the ‘900 century , wilL welcome you in a warm and friendly atmosphere.Its advantageous strategic position towards Venice as well the quietness of the residential area in which our house is located make Hotel Kappa a good starting point to visit Venice. Meal Board: Prices are based on breakfast included. Location: Centrally located in historic centre of Mestre in the main square of Carpenedo. Nearby Attractions: Piazza Ferretto, Porto Marghera, Venice Marina, Papadopoli, Ca’ d’Oro, Rialto Bridge, San Polo, Grand Canal, Palazzo Grassi, La Fenice, Procuratie Vecchie, Basilica San Marco. Transfer and Distance: 20 mins transfer from Venice (VCE) Marco Polo Airport. Amenities In the hotel…
How to Buy an SD Card: Speed Classes, Sizes, and Capacities Explained Memory cards are used in digital cameras, music players, smartphones, tablets, and even laptops. But not all SD cards are created equal — there are different speed classes, physical sizes, and capacities to consider. Different devices require different types of SD cards. Here are the differences you’ll need to keep in mind when picking out the right SD card for your device. Speed Class In a nutshell, not all SD cards offer the same speeds. Manufacturers use “speed classes” to measure an SD card’s speed. There are four different speed classes — 10, 8, 4, and 2. 10 is the fastest, while 2 is the slowest. There are also two Ultra High Speed (UHS) speed classes, but they’re more expensive and are designed for professional use. Here are the associated logos, in order from slowest to fastest: You’ll probably be okay with a class 4 or 6 card for typical use in a digital camera, smartphone, or tablet. An SD card’s speed class is identified on the SD card itself. Physical Size Capacity
An Introduction to the Inverse Square Law I don’t know about you, but I was never much of a math student. I needed a tutor in high school for both geometry and physics. I chose a double major in college (Journalism/English) that required no math. I practiced law for fourteen years, where any math I needed was either pretty easy or done on a calculator. Even when I ditched my briefcase for a camera bag and embarked on a new career, I felt pretty secure in the knowledge that confusing math had no place in the world of photography. And then the Inverse Square Law reared its ugly head. It didn’t jump out and attack me right away. We all deal with light. So, what is it? Huh? Regardless of how you classify yourself as a photographer, you already know that light travels. Let’s take a look at a graphic that will help us get our heads around this. The Inverse Square Law relates the intensity of a light source to the illumination it produces at any given distance. So, what’s the bottom line?
How to Build a Realistic-Looking Beach Inside a Studio Swedish director Roy Andersson has built some impressive sets for his films, and for his latest work A Pigeon Sat on a Branch Reflecting on Existence — which recently won top prize at the 2014 Venice Film Festival — he built a very realistic-looking beach right on a sound stage: And here's the trailer of the film with the beach shot at the end: The set is very impressive, and while they did bring in a lot of sand, the solid structures underneath help sell this effect and probably make the set easier to work on. It may seem obvious when you see it, but the forced perspective, when done right, can convince you of just about anything. The buildings in the background are meticulously constructed and since the camera is at just the right angle (and does not move the entire shot), they feel like they are in the distance rather than being very small. The lighting is just right, though what also really helps this scene is the slight wind effect.
A Guide to Russian & Soviet / Former Soviet Cameras Germany has Leica, Zeiss, Voiglander and Rollei. Sweden has Hasselblad. Japan has Canon, Nikon, Pentax, Sony and Olympus. If you're a photographer, you know these brands. You probably own cameras and lenses made by one or more of these companies. In this tutorial, I'll present a brief history of Russian cameras, cover many of the major brands that are available, and talk about some of the great lenses that were made for these cameras! Republished Tutorial Every few weeks, we revisit some of our reader's favorite posts from throughout the history of the site. The following image was made with a Zorki 4K. First, let me say that “Russian" is a catch all term for a variety cameras that were produced in Russia and the USSR, and then in the former Soviet states after 1991 when the USSR collapsed. That being said, the vast majority of the Russian camera industry came into being after World War II. Initially I just wanted to get a rangefinder camera. The Moskva was a KMZ camera as well.
Pro tips for posting subjects in group portrait photography | Popular Photography The Right GearShooting on a tripod is essential if you want to be able to swap out faces digitally. “It’s often the case when shooting groups that someone will blink. I’ll regularly shoot on a tripod so that replacing heads is easier,” says Truglia. Lens selection is also important. In a portrait of equals, however, he warns that a wide-angle lens can elevate a close subject by exaggerating their size relative to more distant figures. For large groups, you may be tempted to use a wide-angle lens to squeeze everyone in. How to capture large groups without wide-angle distortion?
Getting Great Skin Without Photoshop Whenever photographers hear “flawless skin,” they immediate think of Photoshop, assuming that is the only path to pleasant skin texture and tones. Of course, Photoshop can be very time consuming. It would be really nice if it were possible to achieve pleasant skin tones while you're shooting. The truth is that you can, you just need to know how to take the photo correctly. Get It Right In-Camera Don’t believe me that it’s possible to photograph a great portrait with nearly perfect skin without any work in Photoshop? Makeup Most skin imperfections can be “fixed” before shooting by applying makeup. Not All Makeup is the Same There is a reason why professional makeup artists have jobs. Sometimes this means hiring a professional, and other times it means asking a friend who is good at makeup to help out. To demonstrate this point, I took a photo of my friend without makeup, and then with professional makeup two hours later. Light Direction Light Has Direction Light and Skin Light Color Dirty Light
Here's a Look at How Much Post-Processing Goes Into a L'Oréal Beauty Commercial People can get really upset when you start using the P word. Magazine covers, professional portraits and even Instagram posts have been accused of using Photoshop. But nobody bats an eye when a beauty commercial comes on TV. Photos are manipulated, video, unless there’s CGI involved, is immune from such falsehoods right? Not really. The video condenses 30 minutes of Baselight color grading work done for a L’Oréal Garnier commercial down to just 3 minutes, and shows just how much work Brueckl does using some familiar looking tools. And that’s not even the full story. To be honest, I don’t show too much of the beauty retouching and skin grading. From a photography perspective, it’s fascinating to see how this is both very different and very similar to what one might do to a still photograph. (via PopPhoto)
7 Soothing Yoga Poses for Sleep - Organic Authority When you’re having trouble snoozing, you’ve got two options: one, keep tossing and turning (barf); or two, encourage yourself to sleep better with a round of soothing yoga poses for sleep. They’re the perfect way to calm your nerves, combat restlessness, and release any lingering tension. Ready to sleep better? Like, way better? 1. Stand with your feet about six inches apart and fold your torso toward the ground. 2. Sit down on your knees, making sure your big toes are touching and your knees are apart, almost as if your lower body’s forming a V. 3. Starting in easy pose, extend your right leg straight out in front of you and place the bottom of your left foot against your right thigh. 4. Sit down with one hip close to the wall. 5. Lie down on your back and move your arms out to the sides so your body forms a T. 6. Hug your knees into your chest and gently roll from side to side. [ like this ] 7. What tricks do you use to sleep better? Related on Organic Authority Image: allspice1
Photographing Group Portraits that are in focus | Wedding Photography Blog | Melissa Jill Photography I get asked all the time what the right aperture is to use when photographing large groups. I could answer this question, but aperture is only one part of the equation for depth of field. And oftentimes, I think photographers are using an adequate aperture but are still unable to get the whole group in focus. In this post I am going to explain why. There are three components that impact your depth of field -- aperture, focal length, and subject to camera distance. Regardless of what your depth of field is (again based on aperture, focal length and subject to camera distance), 1/3 of it is in front of your point of focus and 2/3 of it is behind your point of focus.
Telephoto and Wide-angle Lenses Telephoto lenses don't "flatten" a scene, they merely crop it tighter. Wide angle lenses don't "distort" a scene, they merely crop it looser. Here is a collection of photographs (copyright Ian Britton, FreeFoto.com) taken from the same camera position but with lens focal lengths of 300mm, 200mm, 100mm, 50mm, 35mm and 24mm. Let's see what happens when we carefully compare one to the next. The image taken with the 200mm can be found sitting within the image taken with the 300mm lens. The image taken with the 100mm lens sits neatly within the image taken by the 200mm lens. The same relationship holds true for the 50mm lens photograph and the 100mm lens photograph. The 50mm lens captures the same scene as does the 35mm lens, only the longer lens crops the scene more tightly. Even the widest lens of all in our test, the 24mm lens captures an image which at its center is distorted no differently than the image captured by any other lens. Not convinced?
Best Largest Dubai Fashion Photo shooting Studio hire rental - Light House Studio, Dubai, UAE The Soviet Occupation of Afghanistan Soviet soldiers in Afghanistan After World War II, as both the United States and the Soviet Union competed for global power, Afghanistan increasingly turned to the Soviet Union for support after the United States established military ties with Pakistan in 1954, according to an October 2001 report from Human Rights Watch. The Soviets in return used the strategic location of Afghanistan, at the juncture of Asia and the Middle East, to counter the U.S. alliance with Pakistan and the surrounding Persian Gulf states. The Soviets entered Afghanistan in 1979 with the aim of establishing a key position in Asia, one with trade possibilities and access to Gulf oil, Barnett Rubin said in his book, “The Fragmentation of Afghanistan.” At the time, Afghanistan was a vulnerable monarchy. Soon after their entry into Afghanistan, the Soviets imposed military and social reforms that began to make enemies within different sectors of the indigenous population. The resistance was a success.