.: Eugenio Recuenco :. Online portfolio

Martin Munkácsi: father of fashion photography Spontaneous images are now the staple of fashion magazines - thanks to the little known Hungarian émigré Martin Munkácsi, whose work is revealed in a new exhibition BY Lucy Davies | 03 July 2011 Nude in Straw Hat, 1944 Hungarian Museum of Photography Photo: ESTATE OF MARTIN MUNKACSI, COURTESY HOWARD GREENBERG GALLERY, NYC Harper's Bazaar Fashion Plate, c. 1940 Hungarian Museum of Photography, Kecskemét Photo: ESTATE OF MARTIN MUNKACSI, COURTESY HOWARD GREENBERG GALLERY, NYC Beach!, c. 1930 Hungarian Museum of Photography Photo: ESTATE OF MARTIN MUNKACSI, COURTESY HOWARD GREENBERG GALLERY, NYC

22 Photographies augmented with illustrations by Johan Thörnqvist 22 Photographies augmented with illustrations by Johan Thörnqvist Here is the wolrd of artist Johan Thörnqvist, melting photography and illustration, reality and dream. Here is 22 examples of his photographies augmented with illustrations. Untitled Document THE BIGGER PICTURE Nick Ut recalls the Events of June 8, 1972 by Horst Fass and Marianne Fulton By 1972 most U.S. helicopter units had left Vietnam. 7 Posing Techniques for Non-Models Not everyone works with models. A lot of photographers have the job of shooting with everyday people and we need to make them look like models. So how do you do that when the subjects have no experience posing or controlling their face for the camera?

christophe jacrot RAIN - ASIA Huile 10: 70×105 cm ed 16 / 80×120 cm ed 14 Tokyo crossing: 75×125 cm ed 16 / 90×150 cm ed 12 Feux Super wet: 70×125 cm ed 16 / 90×160 ed 12 8caliber Inspiration #Photography #Fashion #Portrait #Black and White #Studio #United States #Richard Avedon How to Build a Realistic-Looking Beach Inside a Studio Swedish director Roy Andersson has built some impressive sets for his films, and for his latest work A Pigeon Sat on a Branch Reflecting on Existence — which recently won top prize at the 2014 Venice Film Festival — he built a very realistic-looking beach right on a sound stage: And here's the trailer of the film with the beach shot at the end: The set is very impressive, and while they did bring in a lot of sand, the solid structures underneath help sell this effect and probably make the set easier to work on.

Karry Skarbakka’s Free falling Self Shot Photography Kerry Skarbakka tried to capture himself when he was in peril in his self shot photographs titled, “The Struggle to Right Oneself. He captured when he was falling from stairs, trees, train lines etc.He is inspired by Martin Heidegger as the later said that human beings go through perpetual falls. He used special gears at the time of photo-shoot but the shots look so real that it convinces even the best of people that it is real and happening. LAURENT NIVALLE PHOTOGRAPHY 2012 WILD RUBIS concept car Ferrari magazine Le Mans Classic 2010 - Colors Laure de Sagazan 2013 Men's Cars Series _Alex

Here's a Look at How Much Post-Processing Goes Into a L'Oréal Beauty Commercial People can get really upset when you start using the P word. Magazine covers, professional portraits and even Instagram posts have been accused of using Photoshop. But nobody bats an eye when a beauty commercial comes on TV. Amazing Fire Photography by Tom Lacoste (with Interview) Welcome to another cool and “dangerous” showcase! Our special guest today is Tom Lacoste, a very young French artist. He is not the kind of artist we are used to: first of all, he’s a juggler and then a photographer!

Chris Jordan Exploring around our country's shipping ports and industrial yards, where the accumulated detritus of our consumption is exposed to view like eroded layers in the Grand Canyon, I find evidence of a slow-motion apocalypse in progress. I am appalled by these scenes, and yet also drawn into them with awe and fascination. The immense scale of our consumption can appear desolate, macabre, oddly comical and ironic, and even darkly beautiful; for me its consistent feature is a staggering complexity. The pervasiveness of our consumerism holds a seductive kind of mob mentality. Collectively we are committing a vast and unsustainable act of taking, but we each are anonymous and no one is in charge or accountable for the consequences. I fear that in this process we are doing irreparable harm to our planet and to our individual spirits.

Guy Calaf Guy Calaf is born in Italy in 1978, currently living in New York City. He spent his childhood between Italy and the US. In 1997 he moved to Milan, where he studied and worked until late 2003. He received a degree in Communication Science from an Italian university in November 2003 upon the completion of a thesis project focusing on the semiotics of Vietnam War photography. In early 2002 he completed a professional photography course in Milan. Since 2003 Guy's work has been focused on conflicts and social issues, mainly in the Middle East and Africa.