Type Glossary - Typography Deconstructed

Ampersand A stylized character of the Latin et used to represent the word and. Definition: The typographic symbol used to designate the word and (& ) is the Latin symbol for et which means and. The name, ampersand , is believed to be derived from the phrase “and per se and.” On a standard English layout... Aperture The partially enclosed, somewhat rounded negative space in some characters. Apex A point at the top of a character where two strokes meet. Arc of Stem A curved stroke that is continuous with a straight stem. Arm A horizontal or upward, sloping stroke that does not connect to a stroke or stem on one or both ends. Ascender An upward vertical stroke found on the part of lowercase letters that extends above the typeface’s x-height. Ascender Line The invisible line marking the height of ascenders in a font. Ascent Line The invisible line marking the farthest distance between the baseline and the top of the glyph. Axis Ball Terminal A circular form at the end of the arm in letters. Bar Baseline

dafont.com Typography Cheat Sheet: The 6 Big Mistakes To Avoid Typography is one of those strange skills — too mathematical to be pure art, but a touch too intangible to be pure science. Our modern life is awash with text, so all front-end devs really need to have a thorough working knowledge of the “art of arranging type”. So, let’s run through a quick-fire cheat sheet of some of the most common typography mistakes — and ways to avoid them. Mis-judged Text Line Lengths Many designers tend to not pay enough attention to the number of characters in an average line of their text and adversely affect the readability of the text. Happily, this is an easy mistake to avoid, as the optimal length has long been identified. The great Swiss typographer, Emil Ruder did a lot of work on this topic in the 1950′s. In his seminal essay, “Typographie: A Manual of Design”, he concluded that the ‘sweet spot’ for line length was around 50 or 60 characters. Shorter line lengths slows comprehension as the eye spends more time tracking back to the next line. Badly Paired Fonts

10 Great Web Font Combinations | Stepto & Son Graphic Design and Website Development Agency We take the pain out of font matching by selecting 10 great web font combinations that will always work well together. Choosing a typeface for your website is not always an easy task, and fixing on a successful pairing can be a particularly arduous task. One general rule of thumb when combining fonts is to use a serif and a sans serif together, to create contrast. Here we look at 10 great web font combinations that never fail to fit; the way they have been combined is based on using two complementing typefaces – one for the heading and one for the body copy – with both being interchangeable. For this reason, we would recommend that you experiment with different sizes, weights, leading and so forth to get the most from your chosen typefaces. Georgia & VerdanaFor those who stick to web standards, this combination is always going to be a winner. Please copy and paste the code above. Below you can find three examples of great typographical brand identities.

Just don't do it: 14 type crimes to stop committing Getting your typography correct is not an easy thing to do. Like graphic design as a whole, is has to be both aesthetically pleasing and functional. Just like you do in a logo, when you’re working with big blocks of text in a print or web design, you have to put a lot of thought into how the type is working. We’ve assembled 13 crimes against type you need to avoid. An example of creative management for a lot of text, by Atelier Martino&Jaña for the European Capital of Culture. 1. Yes, this one is subjective. Comic Sans is almost always disdained, and Helvetica is so frequently a top choice, that it’s overused in popular culture. When making your design put thought into the font you choose. 2. There are SO MANY font faces out there. You only need 2 or 3 — one for the title (maybe subtitle), and one for the body. 3. There are typefaces meant for titles, and typefaces meant for body. 4. 5. Fonts are created with love and joy, and it takes a lot of work to make them work. 6. 7. 8. 9. 10. 11.

Daily Drop Cap Typography In philately "typography", especially in the case of 19th century stamps, refers to letterpress printing. Typography is performed by typesetters, compositors, typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, clerical workers, and everyone else who arranges type for a product. Until the Digital Age, typography was a specialized occupation. §History[edit] Printing press, 16th century in Germany The essential criterion of type identity was met by medieval print artifacts such as the Latin Pruefening Abbey inscription of 1119 that was created by the same technique as the Phaistos disc. Modern movable type, along with the mechanical printing press, is most often attributed to the goldsmith Johannes Gutenberg. Computer technology revolutionized typography in the 20th century. §Evolution[edit] The Roman typeface’s development can be traced back to Greek lapidary letters. §Experimental typography[edit] §Scope[edit] §Text typography[edit]

50 Helpful Typography Tools And Resources Advertisement We love beautiful typography, and we appreciate the efforts of designers who come up with great typographic techniques and tools or who just share their knowledge with fellow designers. We are always looking for such resources. To help you improve the typography in your designs, we’re presenting here useful new articles, tools and resources related to typography. You may be interested in the following related posts: Typography: References and Useful Resources The Taxonomy of TypeThis article’s purpose is to help us as designers to distinguish basic properties of types. Typedia: A Shared Encyclopedia of TypefacesTypedia is a resource to classify, categorize, and connect typefaces. Typeface Anatomy and GlossaryMany fonts have abbreviations in their names. Typographic Marks UnknownThere are many typographic marks which are familiar to most, but understood by few. Periodic Table of TypefacesA reference table for most popular typefaces and their classifications. Combining Type

Type Classification Type Classification There are thousands of different typefaces and fonts available to designers, printers, publishers, artists and writers (as well as the general public) today. There are all types of display and text typefaces and everything in between. Most are available in a digital format from a variety of type foundries and can easily be used, and exploited, with modern computer technology. The vast amount of type available makes specific classification of every one nearly impossible and somewhat frivolous. However, it is important to have an understanding of the basic styles of typefaces to help narrow down the research and selection of the correct typeface. Calligraphic Letters associated with the art of calligraphy and the fonts developed from their production can be classified as calligraphic. Example: Blackletter Examples: Serif Serifed typefaces were popular much earlier than sans-serif typefaces and include semi-structural details on many of the letters. Old Style Transitional Pixel