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Characters - The Attributes of Age

Characters - The Attributes of Age
Characters: The Attributes of Age By Melanie Anne Phillips Introduction Writers tend to create characters that are more or less the same age as themselves. In addition, there are many considerations to age other than the superficial appearance, manner of dress, and stereotypical expectations. The Attributes of Age People in general, and writers in particular, tend to stereotype the attributes of age more than just about any other character trait. Anatomical vs. Before examining any specific traits, it is important to note the difference between anatomical and chronological age. Jargon Far too often, characters are portrayed as speaking in the same generic conversational language we hear on television. Characters, therefore, tend to pick up a basic vocabulary reflective of both their ethnicity AND their age. Outlook Speaking of character minds, we all have a culturally created filter that focuses our attention on some things, and blinds us to (or diminishes) others. Comfort Symbols Conclusion?

Character Trait Chart Character Trait Chart and Personality Components It can sometimes be helpful to make a Trait Chart for each character. This is especially helpful during the early stages of character development, before the character becomes as real to you as your mother. There are several charts of this sort available, some extremely detailed and some containing only facts and figures. To use this chart, print it out and make a copy for each of your characters. Full name - a character's name is very important. Besides the character's official name, we also need to know what he is called (and, perhaps, what he prefers to be called). Date of Birth/Age - we should carefully consider assigning our character a birthday. Address - this can be as detailed or as vague as you wish, but it should answer a few questions: does the character live in a large city, the suburbs, a small town or deep in the country? Height - this doesn't need to be specific. Smell - everyone has a smell. Questions? Custom Graphics by:

How to Create Good Personalities for Your Characters Edit Article Sample Character DescriptionsCreating Personalities for Your Own Characters Edited by Secretive, Julia Maureen, Flickety, Ben Rubenstein and 19 others You're on a plane to a distant country to visit some weird old relatives you are somehow related to. Ad Steps Sample Character Descriptions Creating Personalities for Your Own Characters 1Start with a simple profile including these categories: Name, Age, Gender, and Occupation. 6Continue developing characters until your story is finished. Tips Keep the characters true to themselves. Warnings Don't copy off other characters in different, already well known books, such as Harry Potter.

Character Profile Templates Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing.

Body Language Basics - Syncrat Publishing Throughout history it has been an advantage if an individual can read body language. Body language helps in everyday life from closing a business deal or trusting someone with your life, to recognising when someone is upset. Body language is the art of making an educated guess at a person’s feelings or intentions based on their posture, movement and positioning. Each action or stance in the following list means very little, unless there is more than one indicating the same thing. Arms Feet Head Chest Other

Ash’s Guide to RPG Personality & Background :: The Guide How to Write a Novel in Six Months, Week 6: Outlining Now's the time in the novel writing journey where I start to get really nervous. I stare at my stack of index cards terrified that what I've written are nothing more than a collection of stupid ideas that will never come together into a coherent outline. Okay - now that that's out... The way I approached my outline was to transfer my index cards onto a spreadsheet. I know, but I really love spreadsheets. The Marshall Plan I have mentioned The Marshall Plan for Novel Writing before, and it was actually one of the first books I ever read on writing. Once I started poking around, I decided to go ahead and attempt four viewpoint characters as Marshall suggests for my word count (100,000 words/mainstream fiction). Marshall goes into a lot of detail with his outlining technique (using section sheets) and I'll get into that in the next article, Week 7: Detail Scene Beats. Spreadsheet Outline In case you wonder how I set up my spreadsheet, it's pretty simple. Week 1, Mapping Out the Six Month Plan

Writers' Workshop | Characterisation How to write convincing characters Characterisation - the task of building characters - isn't easy. But if you're struggling to build characters with real life and vigour, just follow these rules. If you do follow them correctly, we can pretty much guarantee that your characterisation will be just fine! Know what kind of character you are writing There are roughly two types of protagonist in fiction. The second type of character (rather less common, in fact) is the genuinely extraordinary character who would make things happen in an empty room. Either type of character is fine - don't struggle to equip your ordinary character with a whole lot of amazing skills, or try to 'humanise' your James Bond character by making him nice to old ladies and interested in baking. Empathy is about story and good writing Likewise, don't worry too much if your character is likeable. A) you write well enough that your reader is drawn in to your protagonist's world, whether they like it or not; and

Seven Common Character Types Seven Common Character Types by Terry W. Ervin II Fiction writers employ a variety of characters while weaving their tales. Beyond the standard definitions of protagonist (the main character in a literary work) and antagonist (the main character or force that opposes the protagonist in a literary work), recognizing the types of characters and the parts they play while reading an interesting story can add to the experience. In addition, a fuller understanding of the character types and their uses can increase a writer’s effectiveness in weaving his own fictional tales. Below is a list of common character types, followed by an explanation and short example. Confidante- someone in whom the central character confides, thus revealing the main character’s personality, thoughts, and intentions. Example: In a story, Melvin Sanders is a detective on the trail of a serial killer. In this example Chops is a confidante. In this example Ebenezer Scrooge is a dynamic character. Copyright © Terry W.

Character Questionnaires - Get to Know Your Characters Receive more writing tips and advice (along with special offers and other Gotham news). One of the best ways to get to know your characters is to ask questions about them. Many writers do this as a kind of homework before they actually start writing a story. The more you know your characters, the fuller they will be. This might also make your story easier to write. The following questionnaires may be downloaded so you can work with the actual documents. Character Questionnaire 1 This questionnaire is found in Gotham Writers Workshops Writing Fiction. You might start with questions that address the basics about a character: What is your characters name? What is your characters hair color? What kind of distinguishing facial features does your character have? Does your character have a birthmark? Who are your characters friends and family? Where was your character born? Where does your character go when hes angry? What is her biggest fear? Does she have a secret? Look at your characters feet.

Spreadsheets – Characters in a Nutshell (Part 2) The Ruby-Slippered Sisterhood : Posted by Kim Law Feb 8 2010, 12:01 am in archetypes, character flaws, characterization, craft, GMC, spreadsheet love Yep, it’s that time again….Spreadsheets!!!!! Everybody excited yet? I hope so. This is one of my favorite subjects, so I can’t help but want everyone to love spreadsheets as much as me. :) Seriously, though. Even if you’re not a spreadsheet lover, I hope you find something here you can use in your own character development even if it never makes it inside the cells of a spreadsheet! This month I’ll build on what I talked about last time. OK, let’s get started. Once I’ve figured out everything from the previous worksheet, what I do next is work on personality type, archetype, traits, strengths, flaws and GMC. So what I do is bring my character’s identity and essence over from the first worksheet. The next thing I do some of my friends find as total overkill but I happen to love. :) I define my character’s Myers-Briggs Personality Type. Next…GMC. Story Goal. Internal Goal.

Character Chart FAVORITES Color: Music: Food: Literature: Expressions: Book: Quote: Expletive(s) (swears): Mode of transportation: HABITS Smokes: What? How often? Drinks: What? How often? SELF-PERCEPTION One word character would use to describe self: One paragraph description of how character would describe self: What does character consider best physical characteristic? Immediate goal(s): Long range goal(s): How does character plan to accomplish goal(s)? How character react in a crisis (calm/panic/etc.)? Jewelry? Owns a computer? © (c ) copyright 1990-2011 Rebecca Sinclair ALL RIGHTS RESERVED Authors Note: I worked hard on this. ~ Permission is granted to LINK TO the Fiction Writers Character Chart. ~ Permission is granted to print out a copy of the Fiction Writers Character Chart FOR PERSONAL USE ~ Permission is NOT granted to copy and/or use the Character Chart in print and/or electronic form (including the internet) without express written permission)

Spreadsheets – Characters in a Nutshell (Part 1) The Ruby-Slippered Sisterhood : Posted by Kim Law Jan 11 2010, 12:01 am in characterization, craft, GMC, spreadsheet love Last month I mentioned that I go a bit insane with spreadsheets. Truth be told, my close friends probably think I should be locked away and not allowed to touch another spreadsheet program in my life. My name is Kim, and I’m a spreadsheet addict. But I can’t help it! Please note, if the mere thought of spreadsheets and structure strike fear in your heart and compel you to run screaming from your computer, I do apologize. And if structure makes you feel all warm and fuzzy, and a smile lights up your face simply from the word ‘spreadsheet’, you ARE in the right place! OK, let’s get going. To begin with…Characters. Although what often kicks off a story in my head is a plot idea or location, I always start by mapping out my characters first. Spreadsheet #1 – Character Requirements 1) Longing 2) Wound 3) Belief The belief is what caused the wound, how the world works, etc… 4) Fear 5) Identity 6) Need 7) Essence

25 Things You Should Know About Character - StumbleUpon Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.

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