P V P What is ProVideoPlayer™? Order PVP2 Now! Since its original release 8 years ago, PVP has been used by organizations around the world to create video walls, digital signage, dynamic staging and much more. This experience and customer feedback drove the development plan for the next generation of this powerful tool. The need for a robust, easy to use playback tool that excels in multi-screen environments is something we have heard from many customers. While the software may work on systems that do not meet these requirements, those systems will not be supported. ProVideoPlayer 2 (minimum Mac specifications) Processor: 64-Bit Intel Core 2 Duo processor or better OS: Mac OS X 10.8 (Mountain Lion) up to 10.10 (Yosemite) RAM: 4 GB RAM NOTE: For heavy or advanced use of video (i.e. multiple outputs, multiple layers, HD content, etc.), a faster system is advised. General Enhancements ProVideoPlayer 2 features an all new UI. Multiple Screens Layers and Targets Transitions Mapping Tabbed Slave Control
Mattrunks PIXnMIX VJ Info mixers Edirol V4, V1, LVS-400 Korg KrossFour Panasonic MX50 (out of production), MX30 (out of production) MX20 Allen + Heath Xone 9:2 - DJ mixer with MIDI output which can control edirol video mixers for AV mixing. players Pioneer DVJ-X1 - Worlds first DVD scratching deck. computers Shuttle - Small Form factor PCs with best power to size ratio Dell - Laptops with decent support when they break while you're abroad.. effects units Korg Kaoss Pad Entrancer - AV effects processor. VJs use lots of 80's broadcast and sub-broadcast gear eg chromascope, fairlightCVI - get on ebay or dig around in your local jumble sales and skips, who knows what you'll come up with. MIDI controllers Behringer Evolution/M-Audio Roland/Edirol Korg Doepfer video servers (software/hardware turnkey solutions) Hippotiser Catalyst Martin Showdesigner Custom Video Gear Lots of VJs have found standard production kit to be inadequate or inappropriate and have started to build or commission custom gear.
maltaannon.com | Free Adobe After Effects and Production Studio Video Tutorials Syphon vj labor Elektra, Montreal 2013 (Yatra Arts) from Joel Dittrich on Vimeo. Live audio/visual performance at Elektra festival, Montreal, Canada, 03 may 2013. Curated by Yatra Arts. White Noise/Black Noise is an audio/visual project where I´m experimenting with intermodal aesthetics, creating audio and visuals side by side and performing live with a digital set up, relaying heavily on OSC, MIDI and audio analysis, to control audio and visuals simultaneously. 100% work by me. Resolume Arena, Ableton Live 9 incl. LZX Industries, Doepfer A-100, Jomox Mbase 11, Akai APC40, etc. Many thanks to Alain Thibault, Praveer Baijal, Yatra Arts, Julia Frainier, Amanda'Mour Ihnatowicz, Nathalie Bachand, Motoko Allison Chanic, Greg MTL, Frédéric Auger, a great audience and anyone I forgot to mention!
Millumin 15 Amazing Interactive Installations Feb 21 2010 By Romain Colin Here is something for a slow lousy Sunday: in this inspirational round-up we feature some outstanding interactive installations that explore the art of interaction between environment, users and machines. Extraordinary artworks. Installations / Applications N Building N Building is a commercial structure located near Tachikawa station amidst a shopping district. Night Lights YesYesNo teamed up with The Church, Inside Out Productions and Electric Canvas to turn the Auckland Ferry Building into an interactive playground. Light Writing Proposal This long exposure, and the making of footage, were shot over three nights in Raleigh, North Carolina as a proposal to Emily Kern. What you see is – not what you get Video production for a school assignment. Experience Mobile Mobile Built and hoisted a gigantic interactive chandelier/mobile that plays Christmas jingles in our reception. Zimoun Installation Zimoun: Sound Sculptures & Installations | Compilation Video
Max: Cycling 74 Collega e Crea Max ti dà gli strumenti per creare suoni unici, grafica e video stupefacenti, interazioni multimediali affascinanti. Questi strumenti si chiamano ‘objects’ (oggetti): piccoli elementi grafici programmati per svolgere un compito specifico. Alcuni generano suoni, altri effetti video, altri ancora fanno semplici calcoli o prendono decisioni. In Max puoi aggiungere gli oggetti su una “tela virtuale” e connetterli tra loro con dei cavi. Ne puoi usare quanti ne vuoi, e puoi creare software unico e interattivo senza dover scrivere una riga di codice (ma se proprio vuoi, puoi farlo): devi solo collegare gli oggetti. Oggetti che Connettono Con il supporto nativo per un’ampia gamma di controller e dispositivi, Max ti consente di mettere in connessione tutto quello che vuoi. Max nella tua Attività Creativa e Professionale Max nelle Scuole e nelle Università Gli studenti che conoscono altri linguaggi di programmazione troveranno in Max il supporto nativo per JavaScript, Java e C. Risorse
Panomo – Panoramic Ball Camera La fotocamera Panomo è approdata sulla piattaforma indiegogo in cerca di fondi per la produzione. Non una semplice fotocamera, bensì una sfera dotata di 36 piccole fotocamere ad alta risoluzione per scatti a 360° a 72 megapixel. Panomo dà il meglio di sè quando viene lanciata in aria, contiene un accelerometro che misura l’accelerazione di lancio per calcolare quando raggiungerà il suo apice e scattare una foto che è un vero e proprio fermo immagine del mondo che ci circonda. Max (Wikipedia) Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. During its 20-year history, it has been used by composers, performers, software designers, researchers, and artists for creating recordings, performances, and installations. The Max program itself is modular, with most routines existing in the form of shared libraries. Miller Puckette originally wrote Max at IRCAM in the mid-1980s, as the Patcher editor for the Macintosh to provide composers with an authoring system for interactive computer music. In 1989, IRCAM developed and maintained a concurrent version of Max ported to the IRCAM Signal Processing Workstation for the NeXT (and later SGI and Linux), called Max/FTS (FTS standing for "Faster Than Sound", and being analogous to a forerunner to MSP enhanced by a hardware DSP board on the computer).[3][4] Various synthesizers and instruments connected to Max. Screenshot of the Max/Msp interface.