Shakespeare Navigators ENGL 339 Home Page English 339: Introduction to ShakespeareFall, 2013 Site Navigation PREREQUISITES: GE area A (esp. expository writing, e.g. ENGL 134, and reasoning, argumentation and writing, e.g. ENGL 145); AND GE area C1 (a 200-level literature class, e.g. A WRITING-INTENSIVE, G.E. GWR: As a C4 literature class, ENGL 339 may be taken by students wishing to fulfill the Graduate Writing Requirement (GWR). ENGL 339 is designed to introduce both English or Theatre majors and G.E. students to representative plays of all genres by William Shakespeare, perhaps the finest poet ever to write in English. REQUIRED TEXTS: The SIGNET CLASSICS editions of A Midsummer Night's Dream; Henry V; Macbeth; Hamlet; and The Tempest. NOTE: As You Like It has been dropped from the class this quarter due to the necessity of scheduling a video screening of a film available only on VHS during class time. VIDEO SCREENINGS / PERFORMANCES: Shakespeare's plays were written to be performed -- they were originally seen, not read.
Absolute Shakespeare - plays, quotes, summaries, essays... Enjoying "Macbeth" by William Shakespeare Enjoying "Macbeth", by William Shakespeare by Ed Friedlander, M.D.erf@kcumb.edu This Is NOT "Family Entertainment." Young people who know of Shakespeare from "Shakespeare Gardens" and "Beautiful Tales for Children" may be surprised by what happens in Macbeth. When we first hear of Macbeth, he has just cut an enemy open ("unseamed") from belly button ("nave") to throat ("chops"). The king shouts "Oh valiant cousin! Worthy gentleman!" The Real Macbeth and His Times Shakespeare got his story from Raphael Holinshed's Chronicles. I've read that Holinshed's section on Macbeth was largely derived from the work of one Hector Boece, Scotorum Historiae ("Chronicles of Scotland", 1526-7, translated from Latin into English by a John Bellenden in 1535). It is evidently not online. Here's what we think really happened with Macbeth and the other characters. In a barbaric era, population pressures made war and even the slaughter of one community by another a fact of life. The historical Mrs. Mr. Evil?
Essential knowledge and literary terms for understanding Shakespeare. An Award winning You - you- your- your formal and distant form of address suggesting respect for a superior or courtesy to a social equal. Thou - thee - thy - thine informal and close form and can imply either closeness or contempt. Gertrude: Hamlet, thou hast thy father much offended. "Ye/you" or "thou/thee" sometimes show social classes, too. Falstaff: Dost thou hear, hostess? It can be insulting if it was used by an inferior to address a superior social rank.
Open Source Shakespeare: search Shakespeare's works, read the texts Romeo & Juliet Using this Guide List of other study guides The notes were prepared for use with an edition of Romeo and Juliet bound together with the book for West Side Story and in conjunction with a showing of Franco Zeffirelli's film version of the play, but they will be useful with any edition or production. The introduction focuses primarily on comparisons with West Side Story, so it has relatively little to say about the play as such. Although Shakespeare's dialogue often reads beautifully enough on the page, please keep in mind that he never intended his words to be read. Shakespeare wrote almost no original plots. Italian cities were infamous for their long-lasting, deadly feuds between prominent families. Prologue Modern taste prefers not to be told right at the beginning of a play how it will end; but many in Shakespeare's audience already knew the story and were looking to enjoy how well it was told, not seeking to be surprised by original plot turns. Act I: Scene 1 Act I: Scene 2
Why Shakespeare loved iambic pentameter - David T. Freeman and Gregory Taylor | TED-Ed While interesting to explore in his plays, the idea of Shakespeare as a poet isn’t new. He wrote many poems. Most famously, he penned 154 sonnets that are often as studied and celebrated as his plays. If it’s the words themselves that grab you, take a plunge down the rabbit hole of Open Source Shakespeare: a beautiful marriage of the bard and technology that allows you to search every poem and play Shakespeare ever wrote for individual words and phrases. You’ve seen some of the similarities between Shakespeare’s meter and music. If all of this wordplay makes you want to get up on your feet and speak the words, you should research the English Speaking Union’s National Shakespeare Competition – an annual recitation competition featuring some of Shakespeare’s greatest speeches. Want even more Shakespeare?
William Shakespeare - Biography - Poet, Playwright Who Was William Shakespeare? William Shakespeare (baptized on April 26, 1564 to April 23, 1616) was an English playwright, actor and poet and is often called England’s national poet. Born in Stratford-upon-Avon, England, he was an important member of the Lord Chamberlain’s Men company of theatrical players from roughly 1594 onward. Known throughout the world, the works of William Shakespeare have been performed in countless hamlets, villages, cities and metropolises for more than 400 years. William Shakespeare: Plays While it’s difficult to determine the exact chronology of William Shakespeare’s plays, over the course of two decades, from about 1590 to 1613, he wrote a total of 37 plays revolving around several main themes: histories, tragedies, comedies and tragicomedies. Early Works: Histories and Comedies With the exception of the tragic love story Romeo and Juliet, William Shakespeare's first plays were mostly histories. Works after 1600: Tragedies and Tragicomedies Family The King's Men
Shakespeare Insult Generator: Thou Shall Say It Like Shakespeare Advertisement How would you like to be able to whip out a Shakespeare insult on the fly whenever necessary? This is such an oldie but a goodie. Even though reading Shakespeare might be more painful than poking your eyeballs out with an ice pick, the words in those books are kinda funny. It’s easy to use. There are a few people who have taken this rank elf-skinned clack-dish and turned it into an online version. Romeo and Juliet Want more deets? We've also got a complete Online Course about Romeo and Juliet, with three weeks worth of readings and activities to make sure you know your stuff. Before young William Shakespeare wrote his play about two poetry speaking, hormone-driven teenagers who defy their families' long-standing feud and risk everything to be together, love wasn't even considered a suitable subject for a "tragedy." Not anymore. Written at the beginning of Shakespeare's career as a playwright, The Tragedy of Romeo and Juliet (c. 1595) is now considered to be the greatest love story of all time. It wasn't a sleeper hit, either: the play was so popular in its own time that it was published twice during Shakespeare's life (1597 and 1599). Shakespeare adapted the storyline from Arthur Brookes' popular Tragicall History of Romeus and Juliet (1562), a long English poem based on a story that dates back to a novella by Masuccio Salernitano called "Mariotto and Giannozza" (1476). Why? Our point?
Romeo: courtly lover Courtly lover and madman Commentary Table of Contents | Next page On this page: Introduction Partly because you will be thoroughly familiar with the main line of the plot of Romeo and Juliet, I am going to start my discussion of the play by beating about the bush: I will ask you to look at Romeo before he meets Juliet; at the brilliant but eccentric speech of Mercutio on Queen Mab; at Romeo and Juliet as tragedy; and at some of the many colourful minor characters in the play--then to look again at Romeo and Juliet themselves. Look with some care at the dialogue between Benvolio and Romeo, 1. 1. lines 163-241. Look especially at the near-comic juxtaposition of ideas in lines 174-8, just before Romeo's first apostrophe to Love. Look ahead to the next scene with Romeo (still before he has met Juliet), 1. 2, particularly lines 91-6 where he speaks again in response to Benvolio. Think of Orlando in the first three acts of As You Like It, even perhaps Claudio in Much Ado About Nothing.
Barnes & Noble Shakespeare - Understanding Shakespeare's Language - Barnes & Noble It is silly to pretend that it is easy to read Shakespeare. Reading Shakespeare isn’t like picking up a copy of USA Today or The New Yorker, or even F. Scott Fitzgerald’s Great Gatsby or Toni Morrison’s Beloved. It is hard work, because the language is often unfamiliar to us and because it is more concentrated than we are used to. In the theater it is usually a bit easier. Even experienced readers and playgoers need help. From the very beginning, then, it was obvious that the plays both deserve and demand not only careful reading but continued re-reading—and that not to read Shakespeare with all the attention a reader can bring to bear on the language is almost to guarantee that a reader will not “understand him” and remain among those who “do not like him.” Once we are drawn in, we confront a world of words that does not always immediately yield its delights; but it will—once we learn to see what is demanded of us. Why doesn’t Shakespeare just say what he means? Further Reading N.F.