Reviews of Powell and Pressburger works Reviews of Powell and Pressburger works The reviews have been divided into the following sections: The Masters - Michael Powell & Emeric Pressburger The Films - Listed by year then alphabetically The People - Actors, Actresses, crew Miscellaneous - Everything else Some articles may deal with more than one person or film, where this happens we have tried to cross reference them. The Masters: Emeric Pressburger Master Storyteller Michael Powell the man himself The Films: (Any reviews are liable to contain spoilers) The People: Note: I have only included the people that I have articles about. There were many more people involved in the making of these films. Michael Powell the man himself Emeric Pressburger Master Storyteller Miscellaneous: Sources for the contemporary reviews include: Monthly Film Bulletin (MFB) Monthly Film Bulletin was a monthly mag for cineastes, containing reviews of all films, no articles or photos.
366 Weird Movies | Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD! Movie Reviews and Ratings by Film Critic Roger Ebert | Roger Ebert FilmmakerIQ.com Dérives autour du cinéma Aotg.com - Post Production News, Websites, Articles, Videos, Blogs & More! For Film and Video, Editing, VFX, Sound, Colour, and Animation
Midnight Eye review: Intentions of Murder (Akai Satsui, 1964, Shohei IMAMURA) Approaching Shohei Imamura's Intentions of Murder both requires and rewards the greatest of patience on the behalf of the viewer. At almost two and a half hours in length, its tale of a low-caste household drudge who transcends her lowly situation - not through any reaction against it, but rather by accepting her place within the order of things - will provide rather an endurance test for those unfamiliar with the ethos of the director. However, it also marks the most complete consolidation of the themes that inform his initial cycle of features in the late 1950s and early 1960s, and also puts forward a strangely subversive view of "modern" Japan, at odds with the image promoted in other films of the time. One day, when her husband is away on a work conference, the house is broken into by a thief, Hiraoka (Tsuyuguchi, who later appeared as searching for the missing man in the Imamura's A Man Vanishes / Ningen Johatsu, 1967).
El periódico más breve: Un poco de lenguaje cinematográfico Aprendamos hoy algo del lenguaje que utilizan los cineastas para procurarnos distintas sensaciones. Nos valdremos para ello de extractos de la película El vampiro de Dusseldorf (1931), rodada por el genial Fritz Lang. Lo esencial es saber qué es un plano, es decir, lo que la cámara capta en una única toma. La escala de planos Primer plano Vemos el busto del personaje, el rostro ocupa gran parte de la pantalla, sus sentimientos quedan al descubierto. Plano medio Los cuerpos se muestran hasta la cintura, a menudo se recurre a este plano para mostrar conversaciones entre personajes. Plano 3/4, también llamado plano americano El famoso plano americano, cuyo uso se extendió gracias a las películas del oeste, para mostrar las cartucheras de los pistoleros. Plano general Plano en el que vemos la figura entera de los personajes y el escenario en el que se mueven. El plano picado frente al contrapicado Plano picado Plano contrapicado El resultado tras el montaje. La vivacidad de un tímido plano secuencia
The Hechinger Debacle A Clockwork Orange has attracted more than its share of controversy, both as book and later as movie. Little wonder then that, when the film was attacked in the New York Times op-ed pages as an example of what the author, Fred Hechinger, called 'the voice of fascism', no less an exigiter of the film than Stanley Kubrick himself joined in the debate. Usually reticent regarding his personal interpretations, Kubrick, in this instance, reveals himself to be a passionate exponent of specific thematic ideas, and the way in which film can be used to exposit them. KUBRICK TELLS WHAT MAKES CLOCKWORK ORANGE TICK by Bernard Weinraub Special to The New York Times LONDON, Jan. 3 -- Stanley Kubrick grew up on the Grand Concourse and 196th Street in the Bronx, attending Taft High School with some infrequency but eagerly showing up at the Loew's Paradise and R.K.O. Few critics and moviegoers would dispute this. Office at Home Mr. "It's very pleasant, very peaceful, very civilized, here," Mr. Mr. Mr.
Glosario de cine Irene Papas en Zorba el griego Cámara lenta. Efecto que se logra acelerando el paso de imágenes ante el obturador y proyectando a más velocidad. Es la forma popular de llamar a la ralentización de la imagen (o ralentí) que, de forma paradójica, se consigue proyectando a velocidad normal (24 f/sg) imágenes rodadas a mayor cadencia (48 ó 72). Cámara rápida o acelerado. Cameo. Campo. Casting. Cine. Cine de arte y ensayo. Cine de vanguardia. Cine independiente. Cine Underground (Cine-subterráneo). Cinéma verité. CinemaScope. Cinerama. Claqueta. Climax. Contenutismo. Comedia. Continuidad/raccord/racor. Corte. Cortometraje. Crédito. Cuadro. Arriba The Criterion Collection - The Current - Essays Your web browser (Firefox 17) is out of date. Update your browser for more security, speed and the best experience on this site. Update browser Ignore 0 Items Total Checkout View Cart Search
BRmovie.com: Official Blade Runner Souvenir Magazine When Blade Runner was released, one of the publications that came out at the same time was the Official Collector's Edition of the Blade Runner Souvenir Magazine. Some of you will have your own copy of this - if you don't check out eBay where it can often be found for a quite reasonable price. Many of you will have seen a great many of the pictures all over the Web. Particularly so as some of these pictures are publicity shots that have appeared in other publications as well. And many of you will also have seen other sites that have quoted sections of the interviews in this magazine. For some of you, particularly new fans of Blade Runner, this may be completely new to you. Also, please take a few minutes to read Ira Friedman's memories of how he came to publish the Blade Runner Souvenir Magazine. Copyright Obviously I don't own the copyright on this magazine. Philosophy A printed magazine can be reproduced on the Web in two ways. Netrunner, October 2002
Classic Sci-Fi Movies • Portal La giornata balorda IMDb Sinopsis:ello, borgataro, romano, ventenne, disoccupato con un figlio di 20 giorni e la di lui madre a carico, Davide passa una [...]