Nikola Tesla - Master of Lightning | Tribute by Aziz Natour Accueil | Shadok WAY TO GO Unnumbered Sparks 17 example of long-form online story/interactives with parallax effects and HTML5 video (Snow Fall-like) - daigo.orgdaigo.org There are just so many conferences that I wish I was going, but it is impossible to go to all of them. SABR National, SABR Analytics, AAJA, EyeO (I was lucky to go this year), SXSW (I’m going next year!) Sloan Sports Analytics Conference, Open Vis, NICAR, IEEE VIS Week, HTMLDevConf, Artifact, W3conf, Ampersand, FrontEndConf to name just a few…. and ONA is one of them. I was unable to go to Atlanta this past week, but I follow tons of people who were there on twitter and especially one of the session really piqued my interest. There is a pattern, such as bigger photo, parallax effect, larger font size with more white space, subtle (and sometimes not so subtle) css/js animation and html5 videos (as well as technique called cinemagraph) and stuff, and each tricks are not that difficult. Long form story telling examples UPDATE: More links and more links …and more links. Tool shed As I see more cool tools, I will add it here: Libraries Services I have not used them at all, so not an endorsement.
WALDEN sigur rós » INNI "shot in black-and-white and running a haunting, emotion-drenched 75 minutes, [inni is] as pure an experience of the cinema as i've had." justin chang, variety 'inni' is either the first-ever sigur rós live album, or second live film (and follow up to 2007's acclaimed iceland tour film heima). in fact, it is both: a 75-minute film and 105-minute double live album of the band captured in full flow at the close of their last tour in november 2008, here housed within one single fat package. this is intentional. for while 'heima' was successful at "explaining" sigur rós, it was less so at conveying what it feels like to actually watch sigur rós play. that is the job of 'inni'. in order to accomplish this goal, morisset has taken his time and employed a number of different analogue post-production techniques to create an emotional understanding of being in the room with the band and going 'inside' the music. ("inni" literally means "inside").
The eCLOUD - by Dan Goods, Nik Hafermaas, and Aaron Koblin Firestorm: The story of the bushfire at Dunalley Turn autoplay off Turn autoplay on Please activate cookies in order to turn autoplay off Edition: About us Today's paper Subscribe Firestorm: The story of the bushfire at Dunalley The Guardian, Send to a friend Your IP address will be logged Share Short link for this page: Contact us Report errors or inaccuracies: reader@theguardian.com Letters for publication should be sent to: guardian.letters@theguardian.com Firestorm The photograph of the Holmes family hiding from a violent bushfire in Tasmania was shared around the world. Enter © 2016 Guardian News and Media Limited or its affiliated companies. Colorblind Clyde < back Colorblind Clyde Colorblind Clyde is a lo-fi interactive film that can be experienced by multiple people at the same time. To watch it, you need special glasses. I call the technique, BICOLORAMA. Original Title: Damien le daltonien Date: 2003, budget: 10$ Written, shot, edited and screened in less than 48 hours during the Kino Kabaret at the Festival du Nouveau Cinema of Montreal. OFFF Barcelona : Creative Review's Click San Francisco : Art Directors Club in NYC :
Interactive documentary and the future of journalism Snowfall, a New York Times interactive experience which was released in December 2012, brought with it tweets hailing the piece as “the future of journalism”. More recently The Guardian released ‘Firestorm’, which again prompted the same response (from me included…) And the Huffington Post added Elaine Macmillion’s Hollow into the same category stating, ” Anyone who saw promise for the future of web-based journalism after watching/reading The New York Times’ highly innovative “Snowfall,” will positively be drawn to the work produced at “Hollow.” It is next level.” Realistically however, it is not the future of journalism, but it is certainly part of it. Journalism, as an industry, is suffering; the decline of print media, the decreasing newsroom budgets, the demands on journalists and the ongoing debates over paywalls and online advertisement. Back in 2009 The Guardian launched a couple of interactive documentaries, first ‘When was the internet invented?
Far Beyond Snow Fall — The Message “Innovation” As I was finishing a final draft of this essay, the Times’s Innovation Report was leaked. It’s meticulous and well worth your time. Dig through it. (For a tl;dr edition, Joshua Benton and his colleagues have done a great job pulling out some of the best bits. But the whole thing really deserves a solid reading.) Most gratifying about the report is nowhere does it say: The future of the Times is tied to complex, expensive, long-form, multi-media articles. Over the past few years, the design and content changes that have felt truly futuristic at the Times — the decisions that seemed to point to where an old company in a new medium could move visually — were much simpler and quieter than a “Snow Fall.” The standalone data visualizations accompanying, for example, elections or the Olympics have always felt true to the web and genuinely useful, and the Times has done them better and with more authority than most anyone else. Bridging futures As for “The Ballad’s” videos?