Amazing Slider | jQuery & WordPress Image Video Slider FreeHDWalls | high definition wallpapers for your desktop Download the Slidestory Publisher Ready to create your very own slidestories & podcasts? Download the Windows Publisher client program and start creating presentations in a matter of minutes (Windows restart required). You will need your username and password in order to connect to the server via the Slidestory Publisher. If you have any questions please view the program documentation provided with the Publisher or visit the Slidestory support pages. Create a Slidestory in 4 steps 1. 2. 3. 4. Download the Slidestory Publisher Download the Windows Publisher client for Windows 10 Download the Windows Publisher client for Windows XP / Windows 7 (Windows 7 Run as Administrator) This program is also available from these download sites:
Technical Web Typography: Guidelines and Techniques Advertisement The Web is 95% typography1, or so they say. I think this is a pretty accurate statement: we visit websites largely with the intention of reading. Unfortunately, for every person who is obsessed with even the tiniest details of typography, a dozen or so people seem to be indifferent. Creative and Technical Typography I’m not sure these two categories are recognized in the industry but, in my mind, the two main types of typography are creative and technical. Creative typography involves making design decisions such as which face to use, what mood the type should create, how it should be set, what tone it should have — for example, should it be airy, spacious and open (light) or condensed, bold and tight, with less white space (dark)? Technical typography is like type theory; certain rules and practices apply to party invitations just as well as they do to obituaries. We’ll focus on technical type in this article. We’ll learn about: Fair warning: this is an in-depth article. <!
Inline Anchor Styles It had been my luck to live en famille with some herder Lapps once before in North-Western Norway. I had some elk shooting and some fishing up there, and I came across the tribe one day poaching red char from one of my own hired lakes. When we actually did get under weigh, our outfit consisted of one inferior double-barrelled 12-bore shot-gun by an anonymous maker, one good Marlin ’45 repeating rifle carrying a long bullet, a small assortment of tinned foods and loaded cartridges... It was these photographs which suggested going to see the Lapp in his own domains. Drawing from our own ignorance, and from the united ignorance of others (most freely and generously bestowed), we mapped out the details of the campaign with glibness and ease. It is not to be denied, though, that the Novaya Zemblya scheme had its seductions. As regards the commissariat, that we decided would be simple also. The few tins of provisions we did take were mainly to serve as luxuries. Creative Link Effects
How do I create a great color scheme? – Canva With so many colors at your disposal, how are you supposed to know which ones to pick? In this tutorial we'll cover what makes colors work well together, as well as some ready-made schemes for you to use in your own projects. 1 Complimentary Colors A complimentary color scheme is made using colors that are opposite each other on the color wheel. These colors contrast and cause each other to "pop". Click on the background and open the color menu, then click the '+' icon to open the color wheel. Since our icons are yellow, the complimentary color will be whatever is opposite yellow on the color wheel. The image now follows a complimentary color scheme. 2 Monochromatic colors A monochromatic color scheme is comprised of various tints and shades (Lighter and darker versions) of a single color. Click on the cloud, and choose a color using the color wheel. Click on one of the rain drops and open the color menu. Note the slider beneath the color wheel. 3 Retro color scheme 4 Summer color scheme
The relevance of the baseline grid Posted on 24 August 2011 • 17 comments In the talk I’ve been giving at conferences this year, With Great Power Comes Great Responsibility, there’s a section where I mention baseline grids; specifically, what I’ve learned from doing a large-scale print project like 8 Faces. However, until now, I haven’t really covered the subject on this blog. This morning I was interviewed about typography for an upcoming issue of Computer Arts and I prepared some screenshots for them. In doing so, I realised that one example was even more thorough than the one I’ve been showing in the talk, and that the example deserved a blog post. Some context I’d never really done print projects that were that big prior to 8 Faces, so I was — shamefully — a little lazy when it came to setting up and following baseline grids. Because of that, one of the original aims of 8 Faces was to give myself a much-needed kick up the bum, and I’m happy to say that it served that purpose remarkably well. The example The lesson
Sticky Table Headers Revisited | Demo 1 This is a basic usage example. Scroll down to see the sticky table header in action. And of course, multiple instances are supported. Tables are pre-populated with random user data retrieved from the Random User Generator. Curabitur placerat, nulla ultricies a, convallis pellentesque, justo nec eros. Fusce condimentum ante. Duis non mi odio, sagittis lorem. Phasellus hendrerit tellus felis mollis luctus. Cum sociis natoque penatibus et massa. Pellentesque facilisis sodales. Novel Games - Game Linking Codes Setting Type on the Web to a Baseline Grid We web designers get excited about the littlest things. Our friends in the print world must get a kick out of watching us talk about finally being able to achieve layouts on the web that they’ve taken for granted for years. Let’s face it: it’s easier these days to embed a video on the web than it is to set type consistently or align elements to a universal grid. But we’re scrappy folks, web designers. We have the technology#section1 Over the last year or so, there’s been a lot of talk about grid systems and using column grids for website layouts. We can apply the same principles of proportion and balance to the type within those columns by borrowing another technique from our print brethren: the baseline grid. The main principle of the baseline grid is that the bottom of every line of text (the baseline) falls on a vertical grid set in even increments all the way down the page. In print, it’s not that hard. Firing up the grid#section2 Paragraphs and headers#section3 Lists#section4
3D Book Showcase Red snapper Kafue pike fangtooth humums slipmouth, salmon cutlassfish; swallower European perch mola mola sunfish, threadfin bream. Billfish hog sucker trout-perch lenok orbicular velvetfish. Delta smelt striped bass, medusafish dragon goby starry flounder cuchia round whitefish northern anchovy spadefish merluccid hake cat shark Black pickerel. Pacific cod. Whale catfish leatherjacket deep sea anglerfish grenadier sawfish pompano dolphinfish carp large-eye bream, squeaker amago. Trahira giant wels cutlassfish snapper koi blackchin mummichog mustard eel rock bass whiff murray cod. In this nightmare vision of cats in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder.
CSS Baseline: The Good, The Bad And The Ugly Advertisement Vertical rhythm is clearly an important part of Web design, yet on the subject of baseline, our community seems divided and there is no consensus as to how it fits in — if at all — with our growing and evolving toolkit for designing online. This may be due to a lack of understanding and appreciation of the benefits that follow from a baseline grid, but it is more likely because baseline is notoriously difficult to get right, and no one yet holds the blueprint to its successful implementation. Some even argue baseline is redundant online, as typographic terminology and behavior on the Web follow different rules than those used in print, the frustrating discrepancy between line-height and leading being the most obvious example. For now, however, let’s assume baseline is, to some degree at least, a useful tool for Web designers. What exactly is it, what tools do we have at our disposal in order to execute it, and, crucially, is it worth the hassle? The Trouble With line-height
Expanding Overlay Effect Lisbon21°C closeLisbon21°CMon19°CTue19°CWed18°CThu17°CFri19°CSat22°CSun18°C Paris11°C closeParis11°CMon12°CTue11°CWed10°CThu9°CFri10°CSat10°CSun12°C Belgrade15°C closeBelgrade15°CMon16°CTue17°CWed15°CThu13°CFri10°CSat11°CSun12°C Moscow2°C closeMoscow1°CMon-1°CTue-2°CWed-6°CThu-4°CFri-5°CSat-6°CSun-8°C New Delhi17°C closeNew Delhi17°CMon18°CTue19°CWed16°CThu17°CFri18°CSat17°CSun17°C Tel Aviv23°C closeTel Aviv22°CMon23°CTue22°CWed22°CThu21°CFri21°CSat21°CSun24°C Cairo21°C closeCairo21°CMon22°CTue20°CWed21°CThu21°CFri21°CSat22°CSun23°C New York3°C closeNew York3°CMon3°CTue-1°CWed-2°CThu1°CFri0°CSat2°CSun3°C San Francisco15°C closeSan Francisco15°CMon16°CTue14°CWed13°CThu15°CFri15°CSat16°CSun15°C Tokyo8°C closeTokyo8°CMon7°CTue6°CWed8°CThu8°CFri6°CSat5°CSun5°C Sydney25°C closeSydney28°CMon24°CTue26°CWed27°CThu30°CFri31°CSat29°CSun29°C