E-Traces: Ballet Slippers That Make Drawings From The Dancer’s Movements
If you’re like me, then you may have been accused of dispensing some questionable moves in the vicinity of the dance floor. I’ve always maintained that my critics simply couldn’t grasp the subtlety of my particular style of physical expression, and now I just may have a means of illustrating my point with an ingenious piece of wearable electronics by designer Lesia Trubat González called E-Traces. The concept of Electronic Traces is based on capturing dance movements and transforming them into visual sensations through the use of new technologies. To do this we focused on the ballet shoes themselves, which through the contact with the ground, and thanks to Lilypad Arduino technology, record the pressure and movement of the dancer’s feet and send a signal to an electronic device. A special application will then allow us to show this data graphically and even customize it to suit each user, through the different functions of this app. [via Prosthetic Knowledge]
Elaquent – The Scenic Route is OUT ! | Stillmuzik
« Life is a journey. It is very easy to take the safe path to get to your destination. But what fun is that? Half the fun of the journey is NOT knowing how you will get there. -eQ credits released 28 March 2012 All tracks produced by Elaquent except « Palm Tree Shit », co-produced by Elaquent and Bahwee. Vinyl mastering by D. Elaquent The Scenic Route stillMuzik (c) 2012
This ingenious musician composes his tubes with sausage
Produire de l’électricité avec une patate ou un citron était trop simple. Désormais, on peut faire de la musique avec des saucisses ! Un musicien complètement déluré s’en est justement chargé pour vos yeux ébahis. Regardez ! PRKTRNIC crée de la musique avec des saucisses. Chez nous, c’est plutôt Leslie qui fait de la musique avec son ventre… Quand elle mange des yaourts !
NASA Posts a Huge Library of Space Sounds, And You're Free To Use Them
Space is the place. Again. And SoundCloud is now a place you can find sounds from the US government space agency, NASA. Many of these sounds were available before; I’ve actually used a number of them in my own music. Another thing: you’re free to use all of these sounds as you wish, because NASA’s own audio isn’t copyrighted. Let the space remixing begin. European Space Agency, your move. Update: ESA has started posting downloadable sounds on SoundCloud! Have you made music with space sounds? More Sounds Want more? It’s slower to browse, but there’s an even bigger library on Archive.org. NASA Audio Collection They’re all marked public domain (which is almost certainly the correct license for the above, not Non-Commercial Creative Commons). It gets weird. NASA also has a small page of sounds that seems to be the basis of the above, but the Archive.org collection is bigger. The University of Iowa has a selection of space sounds:Space Audio Comments 1. 2.
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Panel discussion – (un)natural systems and (de)composition: abstraction, reducibility and audibility | what is sound design…? 27-29 November 2013
Sound is an experience of inhabitation. It is a sign of organisms and materials in interaction, of the formation, flow and dissolution of systems. This experience is historically, culturally, socially, materially situated: our sonic experience is embroiled with the systems in which we dwell. Sound is emergent. Sound is unruly. Against a backdrop of technocracy, of being administered through systems and reductions in which there is depleting democratic involvement, how do workers with sound approach re-animating sound-as-data, to render it a convivial part of a lived and liveable world? This panel will be chaired by Dr. Sandra Pauletto, Chris Watson, Adam Linson, and Marco Donnarumma. Register to attend - www.wisd-day-03-pm.eventbrite.com Panelist Details Chris Watson is one of the world’s leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. Marco looks at the collision of critical creativity with humanized technologies.
Visualizing Our Tech Worship With Giant Webs of Circuitry
Technological mandala 20 - Resonator, 2014. Leonardo Ulian <div class="slide" data-slide-id="1579293" ><img title="" alt="" width="650px" src=" data-image-width="1200" data-image-height="900" /><p class="caption">Technological mandala 20 - Resonator, 2014.<span class="credit"><img class="photo" width="650px" src=" Leonardo Ulian </span></p><div class="desc"><div class="slide-counter"></div><div>Technological mandala 20 - Resonator, 2014. For Italian artist Leonardo Ulian, this is our universe.
Musique libre de droit - Music Media Tracks
Dances With Google Glass | Carla Escoda
In June 2013, Google launched a competition on Twitter soliciting bids from people interested in beta-testing its latest foray into wearable high tech. Since 'beta-tester' conjures up visions of bearded geeks in hoodies glued to their Retina displays, some marketing genius at Google coined the term 'Google Glass Explorers' and put a snapshot of a dusky model with pouty lips, a tousled mane, and a sleek band of titanium on her forehead, on the home page of Glass. (Photo: Reuters) The world was invited to pitch its ideas to Google, appended to the hashtag #IfIHadGlass. The winners would have to pony up $1,500 for the privilege of membership in a highly exclusive club of early adopters, but were expected to drive everyone else mad with envy. A year later, several thousand Google Glass Explorers find themselves roaming the earth, muttering "OK, Glass" and tapping their temples vigorously. Does it matter whether the masses think Glass looks dorky?
La Base des Sons Libres
L’association Lune Rouge vous propose sa Base de Sons Libres Vous trouverez ci-dessous des sons dans plusieurs styles que vous pouvez utiliser gratuitement dans vos films (dans le respect de la licence). Toutes ces sons sont la propriété de leurs auteurs respectifs. Ils sont distribués sous la Licence Art Libre pour vous permettre de les utiliser dans vos propres créations. Veuillez prendre connaissance de cette licence avant toute utilisation. Tous ces sons sont au format libre OGG Vorbis. Si vous trouvez ces sons utiles, merci de nous le faire savoir à : webmaster@lunerouge.org
