Sekhmet

Ra Ra /rɑː/[1] or Re /reɪ/ (Egyptian: 𓂋ꜥ, rˤ) is the ancient Egyptian solar deity. By the Fifth Dynasty (2494 to 2345 BC) he had become a major god in ancient Egyptian religion, identified primarily with the midday sun. The meaning of the name is uncertain, but it is thought that if not a word for 'sun' it may be a variant of or linked to words meaning 'creative power' and 'creator'.[2] In later Egyptian dynastic times, Ra was merged with the god Horus, as Re-Horakhty ("Ra, who is Horus of the Two Horizons"). All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Role[edit] Ra and the sun[edit] To the Egyptians, the sun represented light, warmth, and growth. Ra in the underworld[edit] When Ra was in the underworld, he merged with Osiris, the god of the dead, and through it became the god of the dead as well.[4] Ra as creator[edit] Iconography[edit] Ra was represented in a variety of forms. Worship[edit] Amun and Amun-Ra

Ammit Ammit (/ˈæmɨt/; "devourer" or "soul-eater"; also spelled Ammut or Ahemait) was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest "man-eating" animals known to ancient Egyptians. A funerary deity, her titles included "Devourer of the Dead", "Eater of Hearts", and "Great of Death". Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Ma'at, the goddess of truth, which was depicted as an ostrich feather (the feather was often pictured in Ma'at's headdress). Ammit was not worshipped; instead she embodied all that the Egyptians feared, threatening to bind them to eternal restlessness if they did not follow the principle of Ma'at. See also[edit] References[edit] Media related to Ammit at Wikimedia Commons

Thoth Thoth played many vital and prominent roles in Egyptian mythology, such as maintaining the universe, and being one of the two deities (the other being Ma'at) who stood on either side of Ra's boat.[5] In the later history of ancient Egypt, Thoth became heavily associated with the arbitration of godly disputes,[6] the arts of magic, the system of writing, the development of science,[7] and the judgment of the dead.[8] Name[edit] Etymology[edit] The Egyptian pronunciation of ḏḥwty is not fully known, but may be reconstructed as *ḏiḥautī, based on the Ancient Greek borrowing Θώθ [tʰɔːtʰ] Thōth or Theut and the fact that it evolved into Sahidic Coptic variously as Thoout, Thōth, Thoot, Thaut as well as Bohairic Coptic Thōout. According to Theodor Hopfner,[12] Thoth's Egyptian name written as ḏḥwty originated from ḏḥw, claimed to be the oldest known name for the Ibis although normally written as hbj. Further names and spellings[edit] Depictions[edit] Attributes[edit] Mythology[edit] History[edit]

Khnum Khnum (/kəˈnuːm/; also spelled Khnemu) was one of the earliest Egyptian deities, originally the god of the source of the Nile River. Since the annual flooding of the Nile brought with it silt and clay, and its water brought life to its surroundings, he was thought to be the creator of the bodies of human children, which he made at a potter's wheel, from clay, and placed in their mothers' wombs. He later was described as having moulded the other deities, and he had the titles Divine Potter and Lord of created things from himself. General information[edit] Temple at Elephantine[edit] The temple at Elephantine was dedicated to Khnum, his consort Satis and their daughter Anukis. Opposite Elephantine, on the east bank at Aswan, Khnum, Satis and Anukis are shown on a chapel wall dating to the Ptolemaic time.[3] Temple at Esna[edit] Other[edit] The Beit el-Wali temple of Ramesses II contained statues of Khnum, Satis and Anukis, along with statues of Isis and Horus.[3] Artistic conventions[edit]

Ancient Egyptian concept of the soul Ib (heart)[edit] To ancient Egyptians, the heart was the seat of emotion, thought, will and intention. This is evidenced by the many expressions in the Egyptian language which incorporate the word ib, Awt-ib: happiness (literally, wideness of heart), Xak-ib: estranged (literally, truncated of heart). This word was transcribed by Wallis Budge as Ab. In Egyptian religion, the heart was the key to the afterlife. Sheut (shadow)[edit] A person's shadow or silhouette, Sheut (šwt in Egyptian), is always present. The shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Ren (name)[edit] Ba[edit] Ba takes the form of a bird with a human head. The 'Ba' (bꜣ) was everything that makes an individual unique, similar to the notion of 'personality'. In the Coffin Texts one form of the Ba that comes into existence after death is corporeal, eating, drinking and copulating. Ka[edit] Akh[edit]

Egyptian mythology Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments. The details of these sacred events differ greatly from one text to another and often seem contradictory. Mythology profoundly influenced Egyptian culture. Origins[edit] The development of Egyptian myth is difficult to trace. Another possible source for mythology is ritual. In private rituals, which are often called "magical", the myth and the ritual are particularly closely tied. Definition and scope[edit] Content and meaning[edit] Sources[edit] Religious sources[edit]

Khepri Khepri (also spelled Khepera, Kheper, Khepra, Chepri) is a god in ancient Egyptian religion. Symbolism[edit] Khepri was connected with the scarab beetle (kheprer), because the scarab rolls balls of dung across the ground, an act that the Egyptians saw as a symbol of the forces that move the sun across the sky. Khepri was thus a solar deity. Religion[edit] Appearance[edit] References[edit] ^ Jump up to: a b Wilkinson, Richard H. (2003). External links[edit] Media related to Khepri at Wikimedia Commons

Ancient Egyptian creation myths The sun rises over the circular mound of creation as goddesses pour out the primeval waters around it Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world. The Pyramid Texts, tomb wall decorations and writings, dating back to the Old Kingdom (2780 – 2250 B.C.E) have given us most of our information regarding early Egyptian creation myths.[1] These myths also form the earliest religious compilations in the world.[2] The ancient Egyptians had many creator gods and associated legends. Thus the world or more specifically Egypt was created in diverse ways according to different parts of the country.[3] Common elements[edit] Another common element of Egyptian cosmogonies is the familiar figure of the cosmic egg, a substitute for the primeval waters or the primeval mound. Cosmogonies[edit] Hermopolis[edit] Heliopolis[edit] Memphis[edit] The Memphite version of creation centered on Ptah, who was the patron god of craftsmen. Thebes[edit] References[edit]

Apep Development[edit] Ra was the solar deity, bringer of light, and thus the upholder of Ma'at. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra. Also, comparable hostile snakes as enemies of the sun god existed under other names (in the Pyramid Texts and Coffin Texts) already before the name Apep occurred. Battles with Ra[edit] Set speared Apep The sun god Ra, in the form of Great Cat, slays the snake Apep[5] Tales of Apep's battles against Ra were elaborated during the New Kingdom.[6] Since everyone can see that the sun is not attacked by a giant snake during the day, every day, storytellers said that Apep must lie just below the horizon. In a bid to explain certain natural phenomena it was said that occasionally Apep got the upper hand. However, in other myths, it was the cat goddess Bastet, daughter of Ra, who slew Apep in her cat form one night, hunting him down with her all seeing eye. Worship[edit] Ra was worshipped, and Apep worshipped against.

Apollo Apollo (Attic, Ionic, and Homeric Greek: Ἀπόλλων, Apollōn (GEN Ἀπόλλωνος); Doric: Ἀπέλλων, Apellōn; Arcadocypriot: Ἀπείλων, Apeilōn; Aeolic: Ἄπλουν, Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of light and the sun, truth and prophecy, healing, plague, music, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu. Etymology Tetradrachm from the Illyro-Paeonian region, representing Apollo The etymology of Apollo is uncertain. Several instances of popular etymology are attested from ancient authors. A Luwian etymology suggested for Apaliunas makes Apollo "The One of Entrapment", perhaps in the sense of "Hunter".[11] Greco-Roman epithets

Duat This article is about the Egyptian underworld. For the evergreen tree, see Jambul. For the aviation weather service, see DUATS. In Egyptian mythology, Duat (pronounced "do-aht") (also Tuat and Tuaut or Akert, Amenthes, Amenti, or Neter-khertet) is the realm of the dead. What we know of the Duat principally derives from funerary texts such as Book of Gates, Book of Caverns, Coffin Texts, Amduat and the Book of the Dead. A section of the Egyptian Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where Anubis can be seen on the far right, the scales are shown with the feather balance, and Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth. The geography of Duat is similar in outline to the world the Egyptians knew. If the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. References Bibliography Faulkner, R.

Ancient Egypt: the Mythology and egyptian myths Baldr "Each arrow overshot his head" (1902) by Elmer Boyd Smith. Baldr (also Balder, Baldur) is a god of light and purity in Norse mythology, and a son of the god Odin and the goddess Frigg. He has numerous brothers, such as Thor and Váli. In the 12th century, Danish accounts by Saxo Grammaticus and other Danish Latin chroniclers recorded a euhemerized account of his story. Compiled in Iceland in the 13th century, but based on much older Old Norse poetry, the Poetic Edda and the Prose Edda contain numerous references to the death of Baldr as both a great tragedy to the Æsir and a harbinger of Ragnarök. Name[edit] Jacob Grimm in his Teutonic Mythology (ch. 11) identifies Old Norse Baldr with the Old High German Baldere (2nd Merseburg Charm, Thuringia), Palter (theonym, Bavaria), Paltar (personal name) and with Old English bealdor, baldor "lord, prince, king" (used always with a genitive plural, as in gumena baldor "lord of men", wigena baldor "lord of warriors", et cetera). Attestations[edit]