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Brian Eno Brian Eno (b. 1948) Albums Textures (1989) Obscure No. 3: Discreet Music – Brian Eno (1975) Brian Eno's Obscure Records Series Brian Eno Interviewed on KPFA's Ode to Gravity, 1980 Reel 1 (54:30) Reel 2 (53:36) Artist/Composer: Charles Amirkhanian & Brian Eno Date: 1980-02-02 Source: Other Minds Label / Recorded by: KPFA Charles Amirkhanian and Brian Eno discuss Phonetic Poetry, how Brian writes his lyrics, and the spirit of inquisitiveness at KPFA Radio on Saturday February 2, 1980. Reel II starts with the history of the recording studio as a compositional tool;" and collaboration with David Byrne on album My Life in the Bush of Ghosts. An Interview with Brian Eno (February 26, 1988), Part 1 An Interview with Brian Eno (February 26, 1988), Part 2 An Brian Eno on Art and Music (February 27, 1988), Part 1 An Brian Eno on Art and Music (February 27, 1988), Part 2 Brian Eno in UbuWeb Film UbuWeb Sound | UbuWeb PennSound | CENTRO | EPC | WFMU
RISE AGAINST - SWING LIFE AWAY LYRICS Send "Swing Life Away" Ringtone to your Cell Am I loud and clear, or am I breaking up? Am I still your charm, or am I just bad luck? Are we getting closer, or are we just getting more lost? I'll show you mine if you show me yours first Let's compare scars, I'll tell you whose is worse Let's unwrite these pages and replace them with our own words We live on front porches and swing life away, We get by just fine here on minimum wage If love is a labor I'll slave till the end, I won't cross these streets until you hold my hand I've been here so long, I think that it's time to move The winter's so cold, summer's over too soon Let's pack our bags and settle down where palm trees grow I've got some friends, some that I hardly know But we've had some times, I wouldn't trade for the world We chase these days down with talks of the places that we will go Swing life away [x4] Writer: PRINCIPE, JOSEPH / MCILRATH, TIMOTHY / BARNES, BRANDON / CHASSE, CHRISTOPHERLyrics © Sony/ATV Music Publishing LLC Wow.
Elliott Carter He was extremely productive in his later years, publishing more than 40 works between the ages of 90 and 100,[1] and over 20 more after he turned 100 in 2008.[2] His last work, Epigrams for piano trio, was completed on August 13, 2012.[3] Biography[edit] Elliott Cook Carter Jr. was born in Manhattan on December 11, 1908, the son of a wealthy lace importer. Carter's father was Elliott Carter Sr. and his mother was the former Florence Chambers. As a teenager, he developed an interest in music and was encouraged in this regard by the composer Charles Ives (who sold insurance to Carter's family). On December 11, 2008, Carter celebrated his 100th birthday at Carnegie Hall in New York, where the Boston Symphony Orchestra and pianist Daniel Barenboim played his Interventions for Piano and Orchestra written that year. On February 7, 2009, he was given the Trustees Award (a lifetime achievement award given to non-performers) by the Grammy Awards.[5] Music[edit] Partial list of works[edit]
Music as Culture Arvo Pärt Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. As of 2013, Pärt has been the most performed contemporary composer in the world for three years in a row.[2] Life[edit] Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. In 1980, after a prolonged struggle with Soviet officials, he was allowed to emigrate with his wife and their two sons. Musical development[edit] Familiar works by Pärt are Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977) and the string quintet "Fratres I" (1977, revised 1983), which he transcribed for string orchestra and percussion, the solo violin "Fratres II" and the cello ensemble "Fratres III" (both 1980).
Music A painting on an Ancient Greek vase shows a music lesson (about 510 BC) Music is an art that puts sounds together in a way that people like or find interesting. Most music includes people singing with their voices or playing musical instruments, such as the piano, guitar, or drums. The word music comes from the Greek word μουσική (mousike), which means "(art) of the Muses".[1] In Ancient Greece the Muses included the goddesses of music, poetry, art, and dance. What is music? Music is sound that has been organized by using rhythm, melody or harmony. Blues music is music that is played by singing, using the harmonica, or the acoustic guitar. There are four things which music has most of the time: Definitions[change | edit source] There is no simple definition of music which covers all cases. These and other attempts, do not capture all aspects of music, or leave out examples which definitely are music. History[change | edit source] Even in the stone age people made music. The Divje Babe flute
Appendix 1: The Hidden Markov Model Representation of a Query As shown in Figure 1, the user's query is transcribed by a pitch tracker into a form usable by MusArt. The query is recorded as a .wav file and then transcribed into a MIDI1-based representation using an enhanced autocorrelation algorithm [2]. Figure 1: MusArt Architecture MIDI is to a digital audio recording of music as ASCII is to a bitmap image of a page of text. Figure 1A: A sung query The pitch tracker divides the input file into 10 millisecond frames and tracks pitch on a frame-by-frame basis. Figure 1A shows a time-amplitude representation of a sung query, along with example pitch-tracker output (shown as piano roll) and a sequence of values derived from the MIDI representation (the deltaPitch, IOI and IOIratio values). We define the following. A note transition between note n and note n+1 is described by the duple <deltaPitch, IOIratio>. We represent a query as a sequence of note transitions. Markov Representation A set of states, S={s1, s2, s3,…, sn}.
Gallery of Graphic Musical Notation Here's 24 examples of unusual or graphic musical notation, from the cuneiform markings of the oldest song in the world, to the graphic notation of Stockhausen, Crumb, Cage and Eno, to the painted musical inventions of Adolph Wolfli. Click each picture for a larger image. Key to composers of above works, arranged by row, left to right: Row 1: Bernard Rands, John Cage, Adolph Wolfli Row 2: John Cage, Unknown, Cornelius Cardew Row 3: George Crumb, Earle Brown, Earle Brown Row 4: Brian Eno, Unknown, Hermeto Pascoal Row 5: Iannis Xenakis, John Stump, Unknown Row 6: Unknown (oldest song in the world), Unknown, Unknown Row 7: Krzysztof Penderecki, Krzysztof Penderecki, Hans Christoph Steiner Row 8: Karlheinz Stockhausen, Karlheinz Stockhausen, Unknown
Georg Friedrich Haas’s Works Are Rooted in Microtonality Photo “Is the idea that this is the right world, and this is the destroyed world?” the Austrian composer Georg Friedrich Haas asked recently, after playing and comparing the same chord on the three upright Yamaha pianos — each tuned differently — that form a triangle in his small studio at Columbia University. “This is not the wrong piano and the right piano,” Mr. Haas added during the lesson with Stylianos Dimou, a doctoral composition student, referring to the startling harmonies that sounded after he played the chord on the piano not tuned to the conventional Western scale. Alternate tunings and the alluring sonorities they produce have long fascinated Mr. Mr. In Mr. Classical musicians are usually not taught how to perform quarter-tone music at conservatories, and alternate tunings and harmonics can prove challenging for performers. John Pickford Richards, the JACK Quartet’s violist, said that Mr. “I would be interested in how someone who cannot see could perceive it,” he said. Mr.
Algorithmic Composition (2007) Karlheinz Essl in: Cambridge Companion to Electronic Music, ed. by Nick Collins and Julio d'Escrivan Cambridge University Press 2007, p. 107-125. - ISBN-13: 978-0521688659 download... Content Abstract AlgorithmOrigin of the name The Algorithmic Revolution (Peter Weibel) Goethe's Primordial Plant HistoryMusic Hucbald of St Amande: Musica enchiriadisJohann Sebastian Bach: Verschiedene Canones (BWV 1087) Kirnberger, Stadler, Haydn, Mozart: Musical Dice GamesJosef Matthias Hauer: Zwölftonspiele Philosophy Sefer YetzirahRamon Lull: Ars Magna (1305) Literature Georg Philipp Harsdörffer: Fünffacher Denckring der teutschen Sprache (1636) Oulipo: Georges Perec PioneersJoseph Schillinger (1895-1943) Lejaren A. Abstract Although Algorithmic composition became popular with the rise of computers, algorithmic thinking is far older - it can be traced back to the ancient times of Pythagoras and the Jewish Kabbalah. Reviews