The Guardian news article is talking about how all the effort that has been done to help reduce poverty are now not very effective because how quickly covid is adding more people to poverty. Art helps us imagine the lives of others, including the lives of the poor. The art piece with the two children, showcasing the massive difference in their worlds where one belongs to a world of excess and the other to a world with barely anything, gives off a very strong message that a thousand words would fail to convey. Children are the ones who suffer the most when it comes to poverty and its effects, which explains why they are always the focus of most types of art and photography that covers this huge problem. This is done to gain the attention of the world and to also have them commend the problem of poverty. The aim is to try and eliminate poverty as much as possible or at least try to help the situation. They also do this because it makes them feel like they are playing their part in helping society.
Statue of Poverty by Jacobbrest on DeviantArt. Covid-19 vs Poverty by WD in Bali (video and photos) WD (Wild Drawing): “Poverty, as a dark side of Covid-19 is even more dangerous than the virus itself.
It pushes millions of people into hunger, the extreme means of subjugation.” In Bali, Indonesia by WD (Wild Drawing): Instagram // Youtube // Facebook. Satirical illustrations, Deep art, Meaningful ar. 57 Million Below the Poverty Line: Iran Regime Parliament Predicts - Iran Focus. By Jubin Katiraie The Iranian Parliament’s Research Center published a report in which figures for the next 12 months show that between 23 and 40 percent of Iran’s population will soon be living under the absolute poverty line.
This report displays the damage that runaway inflation has caused the Iranian economy over the last couple of years. In fact, the Iranian calendar year, which began March 21st, 2018, and ran through March 20th, 2019, saw the inflation rate reaching 47 percent, and the economy dropping to a negative growth rate. Starving Child and Vulture. Kevin Carter knew the stench of death.
As a member of the Bang-Bang Club, a quartet of brave photographers who chronicled apartheid-era South Africa, he had seen more than his share of heartbreak. In 1993 he flew to Sudan to photograph the famine racking that land. Exhausted after a day of taking pictures in the village of Ayod, he headed out into the open bush.