Danielvanstraalen. Artwork. Anisiaffek. Joana CHOUMALI. Marie-raffeneau. Larry Krone. TABITA. Pauline Boudry / Renate Lorenz, Artists. Channing Morgan. SOFIE RAMOS ART. Edi Dominique Dubien. Ghada Amer. Lili Reynaud Dewar. Home : Alex Ebstein. Christelle Familiari. George Stoll. JULIE C. FORTIER. AA Bronson. Sara Hoppe – Online Portfolio. Gentaro Murakami. Rebekah Callaghan. Pawel Przewlocki - ACRYLIC ON WOOD. Intro. Ruby wallis - visual artist. Official Website of Robert Devriendt. About - Leah Rials. Hobbes ginsberg. Galerie de arnaud loumeau. Zaria Forman. NIKE SCHROEDER. Maria anwander. Phil Hansen's Art. Galerie de ernesto artillo. Mirrors and Windows. Maciek Jasik Photography. Galerie de jorge young. Adela Andea - Homepage.
Minjeong An. BL67. Fabrice cazenave. Olga chagaoutdinova. A new, meaningless diagram drawn daily, just 'cause. Untitled Document. Dominique ANGEL. WORKS : peniqueproductions.com. Jessica Harrison - Mathieu Briand. Ann Hamilton Studio. SuttonBeresCuller. Artie Vierkant. The_Image_Object_Post-Internet_a4(1) Google. [IMG MGMT] What Relational Aesthetics Can Learn From 4Chan. [Editor's note: IMG MGMT is an annual image-based artist essay series.
![[IMG MGMT] What Relational Aesthetics Can Learn From 4Chan](http://cdn.pearltrees.com/s/pic/th/relational-aesthetics-learn-76632186)
Today's invited artist wishes to remain anonymous.] Is it still necessary to define art by intent and context? The gallery world would have us believe this to be the case, but the internet tells a more mutable story. Contrary to the long held belief that art needs intent and context, I suggest that if we look outside of galleries, we’ll find the actions, events and people that create contemporary art with or without the art world’s label. Over the past 20 years, the theory Relational Aesthetics (referred to in this essay as RA) has interpreted social exchanges as an art form.
Started in 2003, 4Chan.org is one such site, and host to 50 image posting message boards, (though one board in particular, simply titled ‘/b/‘, is responsible for originating many of the memes we use to burn our free time.) The older the club the more convoluted the semiotics of communication between surfers becomes. ARTPULSE MAGAZINE » Features » The Real Thing / Interview with Oliver Laric. Oliver Laric, Versions, 2009, single channel video, 6:25 min.
All images are courtesy of the artist and Seventeen Gallery, London. In the past few months, when people have asked me to suggest something inspiring to read, I’ve always replied: “Go to oliverlaric.com and select Versions.” True, Oliver Laric is not a writer but an artist, and Versions is not an essay but a video-or, better, an ongoing art project involving two videos, “a series of sculptures, airbrushed images of missiles, a talk, a PDF, a song, a novel, a recipe, a play, a dance routine, a feature film and merchandise1“-but if you are looking for a brilliant statement on the visual culture of the Internet age, or an in-depth analysis of its historical roots in Western culture, I couldn’t suggest anything better.
Oliver Laric is a young Austrian artist currently living in Berlin. In October, Laric will present the last iteration of Versions at Frieze Art Fair. ANDREW NORMAN WILSON. Why is the No Video Signal Blue? Or, Color is No Longer Separable From Form, and the Collective Joins the Brightness Confound. Why is the No Video Signal Blue?
Or, Color is No Longer Separable From Form, and the Collective Joins the Brightness Confound. 2011 Press + Publications: Pool, Art Slant, Chicago Reader Sony Edit Original Mix New Capital Dirty Slow Trance Mix Windows and Mirrors at New Capital - Chicago, Illinois 18+ at Art Basel - Basel, Switzerland Me at Oxford University. Travess Smalley. Travess Smalley to read list. Brand New Paint Job - Jon Rafman. QuarantaOnRafman. Jon Rafman. KATE STECIW. : Kate Steciw. CANDICE BREITZ. Marie Raffeneau. Green insects.
April 2014 Little Landscape. April 2014. Edible Jelly. Not completely human. I LOVE YOU II. I LOVE YOU. Another place. For : Subject : Create with food ! En tête, j’ai ces boules de couleurs auxquelles on avait jamais droit. Mais un jour, avec de l’effort, les 50 centimes sont dans ma poche. Hélas, il faudra revenir une prochaine fois. Je voulais le Spider-man rose. Until not knowing who I am. Three meters of imaginary patterns drawn as a surrealist wallpaper. Photography by Aurélie Buttice. After and before light cleaning. A2NA. BEAR. Untitled Document. Zander Olsen. Énième. Poulet entier.
