[IT] Neural

[SZ] Future internet There is no doubt that the rapid development in robotics technology has dramatically changed the interaction model between the Industrial Robot (IR) and the worker. As the current robotic technology has afforded very reliable means to guarantee the physical safety of the worker during a close proximity interaction with the IR. Therefore, new forms of cooperation between the robot and the worker can now be achieved. Collaborative/Cooperative robotics is the new branch of industrial robotics which empowers the idea of cooperative manufacturing. Cooperative manufacturing significantly depends on the existence of a collaborative/cooperative robot (cobot).

Table ronde. Le futur du livre d'art - VOX Table ronde. Le futur du livre d’art Mercredi 2 décembre 2020 De 13 h à 16 h Événement en ligne gratuit Lien : Inscription requise à : lefutur@centrevox.ca Ernst Haeckel: Kunstformen der Natur Diese elektronische Ausgabe wurde erstellt mit Hilfe einer Original-Ausgabe des Haeckel'schen Werkes, das freundlicherweise von Prof. Dr. v. Sengbusch zur Verfügung gestellt wurde. [US] Leonardo/ International society for the arts, sciences and technology (ISAST) Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina who saw the need for a journal to serve as an international channel of communication among artists, with emphasis on the writings of artists who use science and developing technologies in their work. Published by The MIT Press and led by executive editor Roger Malina, Leonardo has become the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and, increasingly, the application and influence of the arts and humanities on science and technology. Leonardo is interested in work that crosses the artificial boundaries separating contemporary arts and sciences. Featuring illustrated articles written by artists about their own work as well as articles by historians, theoreticians, philosophers and other researchers, the journal is particularly concerned with issues related to the interaction of the arts, sciences and technology.

[FR] Synesthésie PrePostPrint Durant un salon de l’édition alternative et libre, nos invités présenteront des productions, ouvrages et outils, réalisés avec des techniques expérimentales et libre (génératives, collaboratives, libre / open source…).Gratuit et ouvert à toutes et tous.Voir la page dédiée sur le site de la Gaîté Lyrique Durant toute la journée, de nombreuses publications réalisées par nos invités ainsi que certains outils qui ont servit à leur concepiton, seront présentés sur des tables individuelles. Projet d'une revue multi-support et multi-modale pour la recherche en arts, design et sciences.

U.S.O Project on Sound Exploration, Unseen Noises Library U.S.O (Unidentified Sound Object) Project is defined as a continuing evolving organism of sound. Created by Matteo Milani and Federico Placidi, two sound artists working on several fields and exploring sound in many inspiring ways. Perhaps you already know about their fantastic blog, where they share lots of great things, making the site a must for anyone interested on sound experimentation, film sound design, electronic music, sound synthesis, signal processing, etc. In the last year, Unidentified Sound Object started a new series of libraries aimed to sound designers and composers, starting with Hologram Room, a package of a wide variety of sources suitable for all kind of contexts and designed meticulously by the two sound sculptors. Today they’ve released their second package, which includes a fantastic collection of sounds created from electro-magnetic field captures. Electromagnetic informations are invisible and omnipresent.

[CA] Archée - cyberart et cyberculture [FR] Études digitales Timeline of technologies for publishing (1963-2018) – Julie Blanc Unix (AT&T's Bell Laboratories) 0perating system Optical character recognition Preternatural The preternatural, as explored by these artists, disturb the ontological boundaries of art, nature and metaphysics. They exist within the folds of classificatory thresholds: both beyond and between nature and supernature; human and animal; vegetable and mineral; living and dead. The confusion between animate and inanimate is a primary concern, a surreality which unites with the preternatural’s love for reveling in the mysterious: bizarre fragments, unreadable words, objects of absurd scale, and distortions of the relativity of time and space flourish throughout this exhibition. by Celina Jeffery

Qu'est-ce que l'éditorialisation? - Sens public ARENDT, Hannah, Between past and future: eight exercises in political thought, New York, Penguin Books, 2006, 298 p., coll. « Penguin classics ». AUSTIN, John Langshaw et URMSON, James Opie, How to do things with words: [the William James lectures delivered at Harvard University in 1955], Cambridge, Mass, Harvard Univ. Press, 2009, 168 p. Digital Publications (Getty Publications) Online Publications French Rococo Ébénisterie in the J. Paul Getty MuseumGillian Wilson and Arlen Heginbotham Edited and with an introduction by Anne-Lise Desmas The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. Read online and download in multiple formats for free, or buy the paperback Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project Edited by Marie Svoboda and Caroline Cartwright