Robert Rauschenberg

Biographie : Robert Rauschenberg le précurseur Pop Art. Robert Rauschenberg, né en 1925 aux Etats-Unis, est un artiste plasticien américain renommé à travers le monde.

Il est également connu pour être le précurseur du mouvement Pop Art mais aussi de tous les autres mouvements artistiques de l’après-guerre. Et oui Andy Warhol et Roy Lichtenstein n’ont rien inventé. Il est considéré aujourd’hui comme l’un des plus grands représentants de l’expressionnisme abstrait. Son courant artistique est souvent attribué au Néo-Dada.

Une enfance pauvre et des débuts éloignés du monde de l’art Robert Milton Ernest Rauschenberg naît le 22 Octobre 1925 à Port Arthur, au Texas. Art Students League of New York C’est seulement à la fin du conflit qu’il décide de changer de secteur d’activité et s’inscrit en 1947 au Kansas City Art Institute où il étudie l’histoire de l’art, l’anatomie, la peinture, la musique, la sculpture et la mode. Des débuts difficiles et non reconnus White Paintings - Rauschenberg Red paintings - Rauschenberg Oracle - Rauschenberg Google+ Robert Rauschenberg. Robert Rauschenberg was born Milton Rauschenberg on October 22, 1925, in Port Arthur, Texas.

He began to study pharmacology at the University of Texas, Austin, before being drafted into the U.S. Navy, where he served as a neuropsychiatric technician in the U.S. Navy Hospital Corps in San Diego. In 1947, he enrolled at the Kansas City Art Institute and traveled to Paris to study at the Académie Julian the following year. In fall 1948, Rauschenberg returned to the United States to study under Josef Albers at Black Mountain College near Asheville, North Carolina. On his return to New York in 1953, Rauschenberg completed his series of black paintings, using newspaper as the ground, and began work on sculptures created from wood, stones, and other materials found on the street; paintings made with tissue paper, dirt, or gold leaf; and more conceptually oriented works such as Automobile Tire Print (1953) and Erased de Kooning Drawing (1953).

L'évènement Robert Rauschenberg. Robert Rauschenberg. Robert rauschenberg. Robert Rauschenberg (American, 1925–2008) Robert Rauschenberg. Exhibition History Bob Rauschenberg, Charles Egan Gallery, December 1954–January 18, 1955.

This exhibition is generally referred to in the literature as Red Paintings and Combines. The exact start date has not been documented, but it likely opened after December 4, 1954. Six Painters and the Object, Solomon R. Guggenheim Museum, New York, March 14–June 12, 1963. Robert Rauschenberg. ROBERT RAUSCHENBERG, COMBINES. Dossiers pédagogiques Parcours exposition Introduction Quand créer est égal à combiner, assembler, intégrer La parodie et ses différents avatars La relation de l’œuvre au temps Bibliographie Introduction.

Robert Rauschenberg. Bed. 1955. Bed is one of Rauschenberg’s first “,” the artist’s term for his of attaching , such as tires or old furniture, to a traditional canvas support.

In this work, he took a well-worn pillow, sheet, and quilt, scribbled on them with pencil, and splashed them with in a similar to that of “drip” Jackson Pollock. Legend has it that these are Rauschenberg’s own pillow and blanket, which he used when he could not afford to buy a new canvas. Hung on the wall like a traditional , his bed, still made, becomes a sort of intimate consistent with Rauschenberg’s assertion that “painting relates to both art and life…[and] I try to act in that gap between the two.” One who applies paint to canvas, wood, paper, or another support to produce a picture. A work of art made from paint applied to canvas, wood, paper, or another support (noun). The method with which an artist, writer, performer, athlete, or other producer employs technical skills or materials to achieve a finished product or endeavor.

White Painting [three panel] Exhibition History White Paintings 1951, Leo Castelli Gallery, New York, October 12–27, 1968.

White Paintings (1951), Ace Gallery, Venice, California, April 10–May 15, 1973. 'Almanac', Robert Rauschenberg.