Πρόγραμμα. Αξιολόγηση. Η αντι-ξενάγηση ως μεθοδολογία απο-αποικιοποίησης. Writing Live Fieldnotes: Towards a More Open Ethnography. I just returned from fieldwork in China.
I’m excited to share a new way I’ve been writing ethnographic fieldnotes, called live fieldnoting. I spoke about live fieldnoting in a recent interview with Fast Company that also featured a slideshow of my live fieldnotes. I want to elaborate on the process in this post. At one point in time, all ethnographers wrote their notes down with a physical pen and paper. But with mobiles, laptops, iPads, and digital pens, not all ethnographers write their fieldnotes. I have experimented with the Livescribe Pen, regular old notebook, and a laptop. But the problem with a digital pen, notebook, and laptop is that they are all extra things that have to be carried with you or they add extra steps to the process. I still haven’t found the perfect fieldnote system, but I wanted to experiment with a new process that I call, “live fieldnoting.”
Μια ιστορία αγάπης. Bόλος essentials. Κόμικς - μαθαίνοντας και διασκεδάζοντας την αποικιοκρατία. Aποικιακή μίμηση (Colonial Mimesis) Scene from the elevator ascending Eiffel Tower. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes.
The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. While the Library is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies, there may be content protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. The Library is anxious to hear from individuals or institutions that have information about these materials or know of their history. Ιμπεριαλιστική νοσταλγία - Λακκί (Portolago): To Πέρασμα στην Ινδία. Πολεοδομική Εξέλιξη Βόλος.
ΘΕΣΣΑΛΙΚΟΙ ΣΙΔΗΡΟΔΡΟΜΟΙ (1) Παρουσίαση σιδηρόδρομος. Βασιλικό βαγόνι. Πυροβολώντας έναν ελέφαντα – Τέταρτος Κόσμος. Ένα δοκίμιο του Τζορτζ Όργουελσε μετάφραση Τέταρτου Κόσμου Στο Μουλμέιν, στην Κάτω Βιρμανία, με μισούσαν πολλοί άνθρωποι.
Ήταν η μοναδική φορά στη ζωή μου που υπήρξα τόσο σημαντικός ώστε να μου συμβεί αυτό. Ήμουν ο τοπικός αστυνόμος της πόλης όπου, μ’ έναν άσκοπο και ανούσιο τρόπο, τα αντιευρωπαϊκά αισθήματα ήταν πολύ έντονα. Κανείς δεν είχε τα κότσια να σηκώσει φασαρίες, αν όμως μια Ευρωπαία πήγαινε μόνη της στο παζάρι, κάποιος θα βρισκόταν για να φτύσει χυμό από μπετέλ πάνω στο φόρεμά της. Σαν αστυνομικός αποτελούσα προφανή στόχο και με περιγελούσαν όποτε μπορούσαν να το κάνουν χωρίς κίνδυνο. Κυνήγι και Σκοποβολή.
Περιφράξεις και ανθρώπινη κυριαρχία της φύσης και των (άλλων) ζώων. Η θανάτωση των ζώων ως θέαμα. Αποικιοκρατία και Κυνήγι | Ταρίχευση ως εγχείρημα. Ευ αγωνίζεσθαι. Η καρδιά του σκότους (1899), Τζόζεφ Κόνραντ (1857 – 1924) Taylor Swift - Wildest Dreams. Louis Vuitton Presents The Spirit of Travel Campaign Film. Map - Age of Imperialism. Dead Zoos: Ιμπεριαλιστική φυσική ιστορία, επιστημονικός ρατισμός και η μουσειοποίηση των ιθαγενών/ζώων - Copy. Iμπεριαλιστική νοσταλγία (imperialist nostalgia) - Renato Rosaldo (1989) France must acknowledge its colonial past. In 1931, the surrealists declared "Do not go to the Colonial Exhibition", and called on the French to boycott that vast display of imperialist propaganda in the east of Paris.
The Exposition coloniale of 1931 placed the various peoples of France's empire on display in one of the final and perhaps the most significant examples of "human zoos", those ethnic exhibitions that accompanied the imperial projects of the mid-to-late 19th century. Harun Farocki. Inextinguishable Fire. 1969. Tumblr - iakacolonial. Σινέ-Empire /// Ταινίες για κριτική. Αξιολόγηση. Passage to india. Προτάσεις. Listicle. Decolonize This Place.
VICTORIA AND ABDUL Trailer (2017) Το βλέμμα του Οδυσσέα (1995 ) Αδελφοί Μανάκη-Θ.Αγγελόπουλος. Decolonize this place tour map. Decolonize This Museum Anti Columbus Day Tour 2017. Louis Vuitton Presents The Spirit of Travel Campaign Film. Reassemblage Trinh T Minh ha 1983. Monster. H βια της οπτικοποίησης. H έκθεση του Άλλου στη μητρόπολη. Jungle movie - όρια εθνογραφικό ντοκυμαντέρ & μυθοπλαισίας.
Μουσεία φυσικής ιστορίας. Άσκηση για την επόμενη φορά. EDWARD SAID - Framed: The Politics of Stereotypes in News. Edward Said On Orientalism. Edward Said - Οριενταλισμός. Daniel Barenboim performs Beethoven: Counterpoint. Επόμενη φορά - 19 Οκτ - COMICS.
Aποικιακή βεράντα. Επιστρέφοντας το βλέμμα. Όλγα - ΦΒ. This article includes a list of references, but its sources remain unclear because it has insufficient inline citations.
Please help to improve this article by introducing more precise citations. (October 2015) (Learn how and when to remove this template message) Colonial India is the part of the Indian subcontinent which was under the jurisdiction of European colonial powers, through trade and conquest. One of the main catalysts of the Age of Discovery was trade, especially in spices.[1][2] The search for the wealth and prosperity of India led to the discovery of the Americas by Christopher Columbus in 1492. Only a few years later, near the end of the 15th century, Portuguese sailor Vasco da Gama became the first European to re-establish direct trade links with India since Roman times by being the first to arrive by circumnavigating Africa (c. 1497–1499). Trading rivalries among the seafaring European powers brought other European powers to India. Βρετανικό Ρατζ (1858 - 1947) Victoria Terminus - Μούμπαι. 300 × 200 - en.wikipedia.org.
300 × 200 - en.wikipedia.org 617 × 283 - journeymart.com 600 × 338 - wikimapia.org 1200 × 700 - hu.wikipedia.org.
Σφαγή του Άμριτσαρ (1917) 2048 × 1536 - en.wikipedia.org 1704 × 1536 - en.wikipedia.org.
Inglorious empire. E. M. Forster and Cavafy. While he was in Alexandria working with the Red Cross during the First World War, E.
M. Forster became friends with the Greek poet C. P. Cavafy; he also had his first love affair, with a young Egyptian named Mohammed el Adl. Cavafy's poetry would prove poignantly apt after el Adl died in 1922 and Forster was trying to create a memorial to him in A Passage to India. In a review reprinted in Two Cheers for Democracy Forster describes an early visit to Cavafy: Έντουαρντ Μόργκαν Φόρστερ - Wikiwand.
Η μαντίλα - οριενταλισμός. Σάτι. Abu Lughod. "ο ανθρωπιστικός πόλεμος"