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TL;DR

TL;DR
The second bit of advice a beginning artist usually gets is “draw from life”. And it is excellent advice! After all, if you can't draw what is right in front of you, you certainly won't be able to draw what you see in your imagination either. But the advice is a bit short, and will usually leave the artist behind unsure of what to do next. Materials? Figure 1.1. So... a ream of the cheapest copier paper you can find, or in a pinch, the inside of a pizza box. The most important thing to keep in mind is to start with the largest shapes, and gradually work down to the small details. The best way to explain this is by example. The first step is to block in the large shapes. Figure 1.3. Now pause and check if everything is still correct. The proportions are okay: the line through the eyes is supposed to be a bit below halfway (say, at 5/8ths) the lines of the ear tips and the chin. Figure 1.4. Eyeballing diagonal lines through your figure is called “caliper vision” by [Ryd]. Figure 1.5.

Corel.painter.official.magazine.issue.02 Victo Ngai’s Action-Packed Illustrations Originally from Hong Kong, New York-based illustrator Victo Ngai creates action-packed artworks with an expressive approach. Her compositions are always spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually. Take a look at some of her latest works below.

The Art of Jaime Hernandez In 1981 three Mexican-American brothers self-published their first comic book, Love and Rockets, and “changed American cartooning forever” according to Publishers Weekly. Over twenty-five years later it is still being published to critical and commercial success. Jaime Hernandez’s moving stories chronicle the lives of some of the most memorable and fully formed characters the comics form has ever seen. His female protagonists, masterfully delineated with humor, candor, and breathtaking realism, come to life within California’s Mexican-American culture and punk milieu. In April 2006 Hernandez began serializing his work with the New York Times Magazine—all of which will be collected here in full color. Praise for The Art of Jaime Hernandez:"The Art of Jaime Hernandez is proof of what I've been trying to convince comics artists to do for thirty years.

Hark! A Vagrant: - A lil’ Q and A, part one The Rushmore Academy Kim Jung Gi (Video link) This 75-minute time lapse video shows Kim Jung Gi drawing an uber-complex street scene out of his head with no lay-in. The stream-of-consciousness marker drawing covers two walls. Judging from his change of shirts, it took about three days. It includes flying elephants, motorcycles, and an assortment of farm animals, all drawn from interesting angles. I got hooked and watched the whole thing, listening to Radiolab and Sidebar podcasts, since the video has no soundtrack.

Geoffrey Stein Paper: Good for drawing if you can | The Chimerist The iPad has made me more conscious of my utter lack of talent at visual art than anything that’s happened since the weekend painting class I took when I was nine. I think that’s because tablet-made art, no matter how sophisticated, still seems so novel and so accessible beneath the shiny, shiny glass, like some kind of delightful accident that could happen to anyone: I have this app, too, so why can’t I draw a cherry blossom tree like that? Obviously the same principle applies here as to actual pencil and paper. It’s not the tools, it’s the ability. And the patience. As tools go, though, I do like Paper, a simple app which allows you to create, and to sketch and diagram in, unlimited notebooks. I’ll always be devoted to my actual composition notebooks, but they get cluttered and filled with ephemera, and I can only keep track of one at a time. I’ve also started a travel journal. —Maud Newton

PAUL W RUIZ - painting painting selected works only. Head of the Girl oil on linen 41 x 41 cm Limited Edition giclée prints Poeta oil on linen (102 x 102 cm) purchase enquiry Theatre of the Absurd 26 x 35.5 cm Outsider sold Francesca private collection Human Study X sold Head of a Youth​ You and the Carnival Shadow Asylum Seeker Visage La Corbata Lifted Figura I Figura II Woman 0309 (detail) Untitled Woman (detail) Endangered Species IV Amarillo Endangered Species V Her Still Life Untitled Woman IX Azul Saltimbanque Cart - 0 items

SketchCrawl™ - drawing marathons from around the world sketches + story Questions Answered OK: how to get in touch with me, things about storyboarding, internships, and drawing style Read More My linkedin - because tumblr is terrible with correspondence and facebook is creeping me out. Some samples of basic basic basic character exploration. Next-five-shots exercise based off this photo. Obviously this photo is from a film about fantastically tragic sadness. Other takes: @lbtreiman - Fish whisperer @jtbozz - Beanstalk @khfr - Mermaids @santiagocasares - Starfish Drawing from films Drawing from films is a ridiculously useful exercise. The way this works: you draw tons of tiny little panels, tiny enough that you won’t be tempted to fuss about drawing details. Hit play. Note on movies: Spielberg is great for this because he’s both evocative and efficient. What to look for: Foreground, middle ground, background: where is the character? This seems like a lot to keep in mind, and honestly, don’t worry about any of that. Don’t worry about the drawings, either.

Eat More Bikes this isn't happiness™ Peteski Bill Cone — Illustrator's Lounge Californian Illustrator Bill Cone is well known for his sensational pastel artwork and his ongoing contribution to Pixar Animation Studios. He studyied Painting at San Francisco State University before going on to study Illustration at Art Center College of Design. After his graduation, Cone embarked on a career as a landscape painter and for over 17 years he has exhibited annually, both in group and one-man shows. Cone is both a Production Designer and Teacher at Pixar. You can see much more of Bill Cone’s wonderful artwork on his blog, which he couples with eloquent and verbose descriptions.

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