![XXYYXX - About You [directed by VASH] HD](http://cdn.pearltrees.com/s/pic/sq/xxyyxx-about-directed-youtube-28552155)
http://www.youtube.com/watch?v=lG5aSZBAuPs
The Vaselines The Vaselines es una banda de indie rock escocesa fundada en Glasgow en 1986. Originalmente el grupo era un duo formado por los fundadores del grupo, Eugene Kelly y Frances Mckee, pero al poco se unirían James Seenan en bajo y Charles Kelly, hermano de Eugene, en bateria, ambos ex-integrantes del grupo local Secession. Insolitamente el grupo salto a la fama a principios de los 90, cuando el grupo ya estaba disuelto, gracias a que el grupo Nirvana hizo tres covers de sus canciones: "Molly's Lips", "Son Of A Gun" (ambas incluidas en Incesticide) y la mas conocida "Jesus Doesnt't Want Me For A Sunbeam", interpretada en vivo en el historico MTV Unplugged que Nirvana realizo en 1994. Historia [ editar ] La historia del grupo remonta a principios de los 80.
Chicago house Chicago house generally refers to house music which was produced during the mid-1980s and late-1980s within Chicago. Chicago house is not a particular style of house music; the term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History[edit] Disco edits[edit] Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM.
List of electronic music genres This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology. A distinction has been made between sound produced using electromechanical means and that produced using electronic technology.[1] Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer.[2] Genres[edit]
Das Kuma » DSKM#03 x Nekochan : Bobcat Mix DSKM 03 x Nekochan. Pour cette troisième mixtape Das Kuma, c’est Nekochan, artiste lyonnaise, qui mix ! C’est sur une compil electro/bass music que je découvrais Nekochan, il y a déjà deux ans ou un peu plus, avec ce morceau. Funky house Funky house is a sub-genre of house music that uses funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records.[1] The genre is commercially popular, with record labels such as Ministry of Sound, Hed Kandi, and Fierce Angel all releasing compilation albums dedicated to the genre.[2][3] It was particularly successful in the early 2000s (decade).[4]
Dangerous Days Lyrics and co-production by Isabella Goloversic : You can hang on to me if you don't know I'll take you down the line Don't you move too fast but don't go too slow I want your love tonight You can hang on to me if you don't know and we'll go down the line Synthpop Synthpop (also known as technopop[2]) is a genre of popular music that first became prominent in the 1980s, features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic art rock, disco and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late-1970s to the mid-1980s. In the late 1980s, duos such as Erasure and Pet Shop Boys adopted a sound that was highly successful on the US dance charts, but by the end of the decade synthpop had largely been abandoned. Interest began to be revived in the indietronica and electroclash movements in the late 1990s and, in the first decade of the 21st century, it enjoyed a widespread revival with commercial success for acts including La Roux, Lady Gaga, Kesha, and Owl City. Characteristics[edit]
Kwaito Etymology[edit] The word kwaito is an Isicamtho term from the Gauteng townships and encompasses styles that range from guz, d'gong, and isgubhu to swaito.[2] The word originates from the Afrikaans kwaai, which traditionally means strict or angry, although in more common and contemporary use the word is a loose translation of the English term cool. Kwaito led a post-Apartheid township subculture into the mainstream. Despite the fact that the Afrikaans language is associated with the apartheid regime and racial oppression, Afrikaans words are often drawn into the Isicamtho vocabulary, reshaped and used in a related or new context. Ambient house Ambient house , a music genre that first emerged in the late 1980s, is a sub-genre of house music , combining elements of acid house and ambient music . Tracks in the ambient house genre typically feature four-on-the-floor beat patterns, synth pads , and vocal samples integrated in a style classed as "atmospheric". [ 1 ] History [ edit ] In 1989, Paul Oakenfold ran the Acid house night at Heaven , and Dr. Alex Paterson ran a chill-out counterpart in the White Room.
Electro house Characteristics[edit] History[edit] Early songs that have been labelled retroactively as electro house include "Dark Invader" and "The Arrival" by Arrivers in 1996, and "Raw S*it" by Basement Jaxx in 1997.[9] Mr. Oizo's 1999 hit "Flat Beat" has also been considered an early example of the genre.[10] Subgenres[edit] Acid house Acid house is a sub-genre of house music developed around the mid-1980s by DJs from Chicago, Illinois. The defining feature of a 'squelching' bass sound was produced using the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, Acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Nicknamed the sound of acid,[1] the influence of acid house can be heard in subsequent styles of music that include trance,[2] Goa trance, psychedelic trance, breakbeat, big beat, and techno. Characteristics[edit]
White Collar Boy - Another Way (Contains Flashing Imagery)