Animism - Extra City. Day 1: Introduction Anselm Franke, Guest speaker: Oksana Bulgakowa, Eisentstein in Mexico. Liam Gillick, Contemporary art does not account for that which is taking place / Journal. Liam Gillick The term “contemporary art” is marked by an excessive usefulness.
The contemporary has exceeded the specificity of the present to become inextricably linked to the growth of doubt consolidation. At the same time, it has absorbed a particular and resistant grouping of interests, all of which have become the multiple specificities of the contemporary. The tendency is for artists to deny that they are part of something that is recognized and defined by others. Frustrations here are always unique. The people who leave graduate level studio programs are contemporary artists—that much is clear. Kunsthalle Bern zeigt ANIMISM in Bern - Ausstellungen in kunstaspekte. ANIMISM Kuratoren: Anselm Franke, Edwin Carels, Bart De Baere, Philippe Pirotte, Sabine Folie Künstler: Art & Language , Adam Avikainen, Marcel Broodthaers, Tony Conrad, Walt Disney, Eric Duvivier, Jimmie Durham, Leon Ferrari, Simryn Gill, Walon Green, Lutz / Guggisberg, Brion Gysin, Luis Jacob, Ken Jacobs, Joachim Koester, Len Lye, Mark Manders, Kobe Mathys, Santu Mofokeng, Melitopoulos/ Lazzarato, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Paul Sharits, Jan Svankmajr, Yutaka Sone, Rosemarie Trockel, David Gheron Tretiakoff, Anne-Mie van Kerckhoven Stationen: 22.01.10 - 02.05.10 Extra City, Antwerpen22.01.10 - 02.05.10 Museum van Hedendaagse Kunst, Antwerpen15.05.10 - 18.07.10 Kunsthalle Bern.
Suely Rolnik, Deleuze, Schizoanalyst / Journal. Suely Rolnik First scene: 1973.1 I begin a friendship with Gilles Deleuze, whose seminars I have been attending over the past two years or so.
With his mischievous humor, he insists on saying that he, and not Félix Guattari (with whom I am undergoing analysis at the time) is my schizoanalyst. He proposes that we work together, offering me a gift and a theme: an LP with Alban Berg’s opera Lulu and a suggestion to compare the death cries of Lulu, its lead character, with those of Maria, a character in Wozzeck, another opera by the same composer. Berg’s Lulu—already impregnated by the image of Louise Brooks, who played the protagonist in G.W. Pabst’s beautiful film—is an exuberant and seductive woman whose attraction to many kinds of worlds sets her off on a life of experimental drift. 1964 poster for Wozzeck designed by Jan Lenica. Second scene: 1978. But what is it that I am referring to when I say “desire”? Suely Rolnik. Nicolaus Schafhausen. Nicolaus Schafhausen (* 1965 in Düsseldorf) ist ein deutscher Kurator, Kunsthistoriker und Kunstmanager.
Seit Oktober 2012 ist er Direktor der Kunsthalle Wien.[1] Leben[Bearbeiten] Schafhausen studierte Kunstgeschichte an der Technischen Universität Berlin und der Ludwig-Maximilians-Universität München. Barbara vanderlinden. Kiosk Berlin. KIOSK für nützliches Wissen, Stazione Termini, Rom, 2004 Foto: Stefani Bürkle Ein Leben in vier Stunden: A-K ( Teil1 ) Hans Ulrich Obrist erzählt.
Zuhörer: Michael Diers. Tirdad Zolghadr. Background[edit] Zolghadr grew up in Tehran, Zurich, North- and West Africa.
He studied Comparative Literature in Geneva, then worked as a cultural journalist and translator before starting to work as a freelance art critic and curator.[3] Curator[edit] Anton Vidokle - Künstler & Kuratoren in kunstaspekte. Charles Esche. Charles Esche (born 1963, England) is a curator and writer.
He currently lives between Edinburgh, Sao Paulo and Eindhoven. Since 2004, he has been Director of the Van Abbemuseum, Eindhoven, Netherlands. Vasif Kortun. Vasif Kortun (born November 6, 1958) is a Turkish curator, writer and teacher in the field of contemporary visual art, its institutions and exhibition practices.
Kortun was founding director of Platform Garanti Contemporary Art Center, Istanbul, which he initiated in 2001. He was also founding Director of Project 4L, Istanbul Museum of Contemporary Art (2001–2003). Between 1994 and 1997 he worked as the founding Director of the Museum of the Center for Curatorial Studies, Bard College and received the 9th annual award for Curatorial Excellence from the Center for Curatorial Studies, Bard College in 2006.
He has undertaken numerous independent curatorial projects including most recently an exhibition of works by Cengiz Çekil [7] at Rampa [8] in Istanbul (2010) and he co-curated with November Paynter The Columns Held us Up at Artists Space, New York [9] (2009). Chus Martínez. Werdegang[Bearbeiten] Wirken[Bearbeiten] Anfang 2006 wurde sie - als Nachfolgerin von Nicolaus Schafhausen - zur Leiterin des Frankfurter Kunstvereins berufen. 2008 wechselt sie als Chefkuratorin an das Museu d’Art Contemporani (MACBA) in Barcelona. [1] 2010 war Martínez Gastkuratorin der 29.
Biennale von São Paulo. Sie gehörte der Jury für den Preis der Nationalgalerie für junge Kunst 2011 an. Im März 2011 übernahm sie die kuratorische Abteilung der dOCUMENTA (13) in Kassel und betreut zusammen mit Bettina Funcke die Schriftenreihe „100 Notizen - 100 Gedanken“.[2] Martínez ist Mitglied der International Association of Curators of Contemporary Art (IKT) an. Chus Martínez - Frankfurter Kunstverein - Neue Aufgabe in Barcelona. Verlässt den Frankfurter Kunstverein: Chus Martínez (Foto/Photo: Norbert Miguletz. © Frankfurter Kunstverein) Nach knapp zweieinhalb Jahren verlässt die Leiterin des Frankfurter Kunstvereins ihr Institut Chus Martínez war nur zweieinhalb Jahre Leiterin des Frankfurter Kunstvereins – jetzt verlässt sie auf eigenen Wunsch das Institut.
Aus verständlichem Grund: Sie wurde als Chefkuratorin an das Museu d’Art Contemporani (MACBA) in Barcelona berufen. Chus Martínez hatte am 1. Januar 2006 die Nachfolge von Nicolaus Schafhausen angetreten. The Banff Centre - arts, education, and conferences in Banff, Alberta, Canada. Jan Verwoert Biography - The Banff Centre. Jan Verwoert - Künstler & Kuratoren in kunstaspekte. Selected Maria Lind Writing: Amazon.de: Maria Lind: Englische Bücher. Intermedialität in der zeitgenössischen Kunst: Raumkonstruktion und Partizipation am Beispiel der Werke von Doug Aitken, Douglas Gordon und Pierre Huyghe: Amazon.de: Daniela Schmidtke.
Broken Screen: Expanding The Image, Breaking The Narrative (9781933045269): Doug Aitken, Noel Daniel. Empire – die neue Weltordnung. Inzwischen sind ein zweiter Band (Multitude – Krieg und Demokratie im Empire) und ein dritter Band (Common Wealth: Das Ende des Eigentums) erschienen.
Zum Inhalt[Bearbeiten] Das Empire kenne kein Außen mehr, es umfasse die ganze Welt und das ganze Leben. Das Empire könne mit verschiedenen Subjektformen, flachen Hierarchien und dem vielfältigen Austausch in Computernetzwerken flexibel umgehen. Dennoch sei seine Macht nur scheinbar. Anselm Franke, Across the Rationalist Veil / Journal. Anselm Franke Many recent works of art hold undoubtedly close ties to anthropology, resembling reverse ethnography or neo-ethnography, taking the form of research that embraces anthropology’s sociological methods, adopting documentary techniques or borrowing from such genres as the travelogue. Anthropology, on the other hand, is currently engaged in renewed debates over the discipline’s roots as reflected in its contemporary “politics.” These controversies, involving politics, ethics (both disciplinary and individual), and image strategies, were sparked by the death of “human terrain” researchers in Afghanistan—anthropologists embedded with the U.S. military to help tacticians in the field navigate local customs and codes.1 Claiming not to militarize anthropology but to anthropologize forms of violence, these practitioners have eroded a border that, given the colonial roots of the discipline, was before only notionally in place.
Which borders, however? Anselm Franke - Künstler & Kuratoren in kunstaspekte. Ein Gespräch mit Anselm Franke. Die Untoten, 12. - 14. Mai 2011, Kampnagel Hamburg - Beirat. European Cultural Policies 2015. Cultural Policy in 2015. Liam Gillick. Liam Gillick (* 1964 in Aylesbury/Buckinghamshire), ist ein britischer Maler, Bildhauer und Objektkünstler. Leben und Werk[Bearbeiten] Liam Gillick studierte von 1983 bis 1984 am Hertfordshire College of Art und 1984 bis 1987 am Goldsmith College in London unter anderen bei Michael Craig-Martin. 2002 war er für den Turnerpreis nominiert, 2008 für den Vincent Award der „Broere Charitable Foundation”, Amsterdam. Gillick ist mit der Malerin und Filmemacherin Sarah Morris verheiratet, das Paar hat einen Sohn.