How to Draw the Head From Any Angle
The Basic Forms To draw the head from any angle you must first understand its basic structure. Look past all the distracting details and visualize the underlying forms. This ability to simplify can be applied to the features of the face, but when starting the drawing you could look even further. The head deconstructed into its basic forms, is a sphere as the cranium and a block as the jaw and cheek bones. A Sphere as the Cranium The sides of the head are flat, so we can slice off a piece from both sides of the ball. A Block as the Jaw and Cheek Bones Attach the shape of the jaw. Constructing From Any Angle Step 1 – Determine the angle of the ball The angle of the head is established at the very beginning of the drawing with the ball. X Axis - The up and down tilt is established by the angles of the horizontal and vertical lines in the oval. Y Axis - The direction the head is turning (left or right) is established by the width of the oval. Step 2 – Find the thirds Step 3 – Add the jaw
How to Draw the Nose
Update 09-26-2012 – Above is a video version of this tutorial. For more video tutorials visit Proko.com and subscribe to the newsletter In this tutorial I will go over the structure of the nose and give detailed information about the bridge, ball, and nostrils of the nose. At the end, I will show a step by step of a nose drawing. The Major Planes When drawing the nose, I’ll usually start by indicating the 4 major planes – top, 2 sides, and bottom. Anatomical Information I think the anatomical shapes in the nose are really interesting. The Minor Planes It’s important to memorize the subtle plane changes in all the different part of the nose. Minor Planes of the Bridge The Glabella is shaped like a keystone. Minor Planes of the Ball The ball of the nose isn’t perfectly round, but has very distinct plane changes. Minor planes of the Nostrils The nostrils, also called wings, curl under themselves similar to the septum. Drawing the Nose 4. Made a video version of this tutorial.
Lackadaisy Construction
Some notes about construction drawing that may or may not be helpful. This is in response to some questions from my tumblr blog. There are notes about Expressions here, and an old sort of drawing tutorial here that cover some of the same material. I'd also recommend to anyone trying to learn how to draw this way (or any way) to check out Andrew Loomis books. They're old, but are still superior to most of the how-to-draw stuff you can find out there. Furthermore, they're in the public domain now, so they're freely available online. Additionally, the archives of the John K. Legschilla, of course, belongs to the inimitable Der-shing Helmer.
Blood Siren Tutorial
Here are the steps I took to complete the Blood Siren painting: Quick sketch to establish the composition. Detailed drawing. I block in all the major colors and lighting. I roughly add detail, trying not to get tied up on refined rendering. Here's a close-up of the face, to show how rough my brush strokes are at this point. I refine the details, and clean up the rough edges. I add the fog with a custom brush called "Cottonball" in Painter which I downloaded from Jinny Brown's Pixel Alley website. After posting this piece at art forums, I got some great critiques, so I went ahead and implemented some of the suggestions. Some close-ups of the finished painting.
Drawing Hair in Pencil
By Maery Drawing hair is hard work. It's complicated, time consuming, and often the results are terrible, and trust me, I speak from personal experience when I say that. So, why bother? I'm posting them here (much to my ever-lasting shame) to demonstrate something. Getting Started: tools Pencils: It sounds pretty simple, but I'm going to go over the basics once more. Whew! Down and Dirty: drawing hair Layout: putting down the basics Here I've started with a face already drawn in for simplicity's sake. As you might imagine, the first thing you have to do is block in the hair. Also, keep in mind the environment. Establishing Mid-Tones: the foundation of your piece At this stage, you're basically feeling out where the mid-tones will be. In this stage it's really important to consider your light source. At this stage, don't worry too much about what your pencil work looks like. Also, I'll have a quick word on hair color. Finding Shadows: darkening it up At this point we're hunting for shadows.
How to Draw Ears
For a video version of this tutorial visit www.proko.com/how-to-draw-ears-anatomy-and-structure In this tutorial I will go over the parts of the ear and suggest an easy way to remember all these complex shapes. At the end, I will show a step by step of an ear drawing. Basic Forms The simplified volume of the ear is very much like a megaphone. This is easier to see from the back, where the concha is like the tubular part and the helix is the lip part of the megaphone. Just Remember “why?” At first glance the shapes in the ear seem random and confusing. Placement of the Ears The ears lie in the middle third of the face. In Perspective During an up-tilt or down-tilt the placement of the ears is very important since doing it incorrectly can break the illusion of a tilt. Anatomical Information Shading the Complex Forms of the Ear Concha The concha is the bowl-shaped part that attaches the back of the ear to the head. Helix The Helix is a semi-cylindrical form and should be shaded as such. Antihelix
Tutorial - Face Sketches by JosephB222 on deviantART
Lessons
Drawspace Pro Lessons are designed for artists of all levels and educators, and are logically organized into resources and activities. Eventually, all lessons and E-books authored by Brenda Hoddinott will be available here: four to eight brand new lessons and newly-revised older lessons are being added every month! Upgrade Now: Download all 310 lessons and 4 e-books! Try for Free: Download lessons marked as "Free"! 1.1.R1 Glossary Of Art Terms Definitions of art-related terms used in the resources and activities of Drawspace Curriculum (updated February 2013) $3.99or Upgradeto access all files 1.1.R2 Travelling Back in Time with Graphite A few fun tidbits of information about the history of graphite $0.99or Upgradeto access all files 1.1.R3 Examining Graphite and Grades Understanding the differences between H and B grades of graphite $0.99or Upgradeto access all files 1.1.R4 Seeing Grades in Drawings Graphite drawings demonstrate the visual qualities of H and B grades of pencils Download Download
Eyes and Freckles
The color pencil drawings of Amy Robins. Artwork © Amy Robins Link via Life is a Danceable Tragedy
How to Draw Hair, Part 1
Looking back at my tutorials on drawing the head, I realized that I covered individual features, but completely left out hair. This tutorial will is split into 3 parts: The Basics, Types of Hair, and a Step by Step drawing. I’ll start this first part of the series with common mistakes that I see all the time. Common Mistakes when Drawing Hair Forgetting about the volumes This is the most common mistake I see from newer students. Too Much Texture This one is similar to the first, but this can still happen even if one pays attention to the volumes. Impatience – Bad Design There are so many random little shapes in hair, that good design is a necessity. Sharp Outlines I’m referring the the outer edge between the hair and background and also the connection between hair and skin. Consider the Form Underneath the Hair Spherical Skull Most hair styles you will draw will be affected by the skull underneath. The groups of hair wrap around the form underneath and inherit the same light patterns. Shadow
Lackadaisy Expressions
Boy, I didn't know what I was getting myself into when I started this. I've had requests for some sort of expressions tutorial dating back a while now, so I figured, "Sure! I can explain expression drawing...and it'll be way better than all those tutorials out there that are nothing but charts of generic expressions. Yeah! Just give me a day or two to whip something up..." Um. Anyway, I found all I could really do was try to explain ways to teach yourself...and then add some pictures.
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