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Joe Sacco

Joe Sacco
Biography[edit] Sacco earned his B.A. in journalism from the University of Oregon in 1981 in three years. He was greatly frustrated with the journalist work that he found at the time, later saying, "[I couldn't find] a job writing very hard-hitting, interesting pieces that would really make some sort of difference."[4] After being briefly employed by the journal of the National Notary Association, a job which he found "exceedingly, exceedingly boring,"[3] and several factories, he returned to Malta, his journalist hopes forgotten. "...I sort of decided to forget it and just go the other route, which was basically take my hobby, which has been cartooning, and see if I could make a living out of that," he later told the BBC.[5] Eventually returning to the United States, by 1985 Sacco had founded a satirical, alternative comics magazine called Portland Permanent Press in Portland, Oregon. Sacco currently lives in Portland, Oregon.[8] Bibliography[edit] Comic books[edit] Solo[edit] Editor[edit]

http://en.wikipedia.org/wiki/Joe_Sacco

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Maus In the frame tale timeline in the narrative present, beginning in 1978 in the Rego Park section of New York City, Spiegelman talks with his father about his Holocaust experiences, gathering material for the Maus project he is preparing. In the narrative past, Spiegelman depicts these experiences, starting in the years leading up to World War II. Much of the story revolves around Spiegelman's troubled relationship with his father, and the absence of his mother who committed suicide when he was 20.

Book Review: Journalism, by Joe Sacco JournalismBy Joe SaccoMetropolitan Books191 pp; $33.50 While journalists come in many breeds, none is more purely annoying than the hit-and-run foreign correspondent. In his classic essay “How to Be a Foreign Correspondent,” the late Alexander Cockburn described New York Times reporter C.L. Sulzberger “as the summation, the Platonic ideal of what foreign reporting is all about, which is to fire volley after volley of cliché into the densely packed prejudices of his readers. 'Journalism' by Joe Sacco, 'Jerusalem' by Guy Delisle: Review In the preface to his new book "Journalism," Joe Sacco pinpoints the challenges of the comics artist who seeks to be a reporter: "Aren't drawings by their very nature subjective?" he asks, before answering with a simple "yes." And yet, this has been Sacco's point all along, that, in the words of Edward R. Murrow, "Everyone is a prisoner of his own experiences. No one can eliminate prejudices — just recognize them." The rap on Sacco, of course, is that he is less a journalist than an advocate, who in such works as "Palestine" and "Footnotes in Gaza" blurs the line between observer and activist.

Palestine (comics) Palestine is a graphic novel written and drawn by Joe Sacco about his experiences in the West Bank and the Gaza Strip in December 1991 and January 1992. Sacco gives a portrayal which emphasizes the history and plight of the Palestinian people, as a group and as individuals. The book takes place over a two-month period in late 1991 early 1992, with occasional flashbacks to the expulsion of the Arabs, the beginning of the Intifada, the Gulf War and other events in the more immediate past. Journalism, by Joe Sacco – a review - Information Without The Bun Cartoonist/war correspondent Joe Sacco’s new book, JOURNALISM (Metropolitan Books; on sale June 22, 2012) is doing an interesting thing, addressing wars and other conflicts in recent human experience in a graphic form, while attempting to operate in the discipline suggested by the book title. Moreover, he generally succeeds in his mission, though it must be said that the writer himself may be his harshest critic. Most, but not all, of the work had been published before, in a variety of venues. “The War Crimes Trials,” for instance, was commissioned by Details “during the short stint when Art Spiegelman [creator of the historic graphic novel Maus] was the magazine’s comic editor.

Barefoot Gen Barefoot Gen (はだしのゲン, Hadashi no Gen?) is a Japanese manga series by Keiji Nakazawa. Loosely based on Nakazawa's own experiences as a Hiroshima survivor, the series begins in 1945 in and around Hiroshima, Japan, where the six-year-old boy Gen Nakaoka lives with his family. After Hiroshima is destroyed by atomic bombing, Gen and other survivors are left to deal with the aftermath. The Myth Of Objective Journalism - Joe Sacco Interviewed Two weeks before Palestine defeats Israel and US opposition by receiving an upgrade to UN member state observer status, we’re speaking to Joe Sacco over the phone from his home town of Portland, Oregon. It’s during Israel’s Operation Pillar Of Defence and a day after the air attack which kills Hamas military leader in Gaza, Ahmed Jabari. Israel’s Prime Minister Binyamin Netanyahu is sabre-rattling over the threat of an Israeli ground attack following retaliatory rocket fire from Gaza. “I grew up thinking all Palestinians were terrorists,” says Sacco of his US high school and college education. “That wasn’t from studying the issue closely, that was from just absorbing what I read in newspapers. Newspapers were reporting a lot of facts,” he says, enunciating for effect in the absence of being able to make hand quotes.

James Branch Cabell James Branch Cabell (/ˈkæbəl/; April 14, 1879 – May 5, 1958) was an American author of fantasy fiction and belles lettres. Cabell was well regarded by his contemporaries, including H. L. Mencken and Sinclair Lewis. The Codex Seraphinianus DISCUSSED: Extremely Limited Editions, The Metamorphic Bicranial Rhino, French Booksellers, Grievous Errors, Italo Calvino, Pliny’s Natural History, Hieronymus Bosch, ’70s Pop Art, eBay, The Voynich Manuscript, Italian Aristocrats, Bodoni, In Watermelon Sugar, Ovid, Lewis Carroll’s Photographs of Children, Hypertext Fiction, Taxonomical Surveys, Alchemical Etchings, Billy Joel Image from Luigi Serafini’s Codex Seraphinianus.Click to enlarge. Who were the people who had invented Tlön? The plural is unavoidable, because we have unanimously rejected the idea of a single creator, some transcendental Leibnitz working in modest obscurity.—Jorge Luis Borges, “Tlön, Uqbar, Orbis Tertius” Like a Borges story, this is as much about the quest for knowledge as it is about the knowledge itself.

Wired 1.04: Disneyland with the Death Penalty Disneyland with the Death Penalty We sent William Gibson to Singapore to see whether that clean dystopia represents our techno future. By William Gibson "It's like an entire country run by Jeffrey Katzenberg," the producer had said, "under the motto 'Be happy or I'll kill you.'" Talbot Mundy Talbot Mundy (born William Lancaster Gribbon) (April 23, 1879 – August 5, 1940) was an English writer. He also wrote under the pseudonym Walter Galt. [1] Life and work[edit] Born in London, at age 16 he ran away from home and began an odyssey in India, Africa, and other parts of the Near and Far East. Mundy spent much of his early life as a "confidence trickster" and petty criminal. [1] However, once Mundy moved to the United States,and "been nearly killed in a mugging",[1] his personality changed to an "honest and upright citizen". [1] By age 29, he had begun using the name Talbot Mundy. Mundy started his writing career in 1911.

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