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Typography Daily

Typography Daily

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Minimal Movie Posters These two posters are the finalists for the Now You See Me fan poster competition, which I posted about here. Let’s call the top one Option 1, and the second Option 2. Now you’ll get to help to choose the winner by answering this question: which poster do you prefer, Option 1 or Option 2? Artists and designers can make the ordinary seem magical. Get involved in Summit Entertainment’s Now You See Me tumblr poster contest! Summit Entertainment is looking for fan posters to help promote their new magic/heist film, Now You See Me, starring Jesse Eisenberg, Dave Franco, Morgan Freeman and Isla Fisher (to name a few!)

Typographer's Glossary Serif: Serif's are semi-structural details on the ends of some of the strokes that make up letters and symbols. A typeface that has serifs is called a serif typeface (or seriffed typeface). Some of the main classifications of Serif type are: Blackletter, Venetian, Garalde, Modern, Slab Serif, Transitional, and Informal. Fonts in each classfication share certain similiar characteristics including the shape or appearance of their serifs. 20 Useful Typography Tools Typography is a crucial component of a design. When used effectively, it sets the mood and solicits emotion about the design. Working with typography can be challenging, but fortunately, there is a plethora of free tools on the web that can help you work with type. In this article, you’ll find 20 tools for working with typography. You’ll find an assortment of tools that’ll help you with testing, identifying, sizing, and even making, fonts.

30 Creative Examples of Typography Poster Designs If I’m ever in need of an inspiration fix I look no further than typographic poster designs. As designers we love the combination of design and typography to convey a message with feeling and emotion. This post brings together 30 creative typography designs into one showcase to fuel you with inspiration. As always, follow each link to see more great work by each talented designer.

LettError These are some resources about Gerrit Noordzij. TDC Award 2013 Gerrit’s words [PDF] after receiving the TDC Medal on October 10, 2013. How To Typeset a Poster Bowne & Co., Stationers at the South Street Seaport Museum in New York frequently produces beautiful letterpress keepsakes. This one from 1989, “Nineteenth Century Job Printing Display – The Poster” is a delightful little guide to the dos and don’ts. Using their enviable stock of metal types, 200 copies were printed on a Vandercook Universal I. the text was adapted from “The Letter-Preess Printer: A Complete Guide to the Art of Printing; Containing Practical Instructions for Learners at Case, Press and Machine” (London, 1881). Last year I wrote about the possible closing of Bowne & Co. here, The shop is still functioning (at 211 Water St., NYC) and still printing: Announcement cards ($165 for 50), four-piece invitations ($1,085 for 100), and reception cards ($270 for 100),all printed on Crane & Co. paper. The “Friends of Bowne” are on Facebook. Read more about Bowne in the New York Times.

Searching for design inspiration? Here’s 98 of the best places to look Creativity will never be an exact science. Sometimes the juices flow, but other times it’s easy to feel all dried up. And while changing your workspace and rethinking your process are simple ways to see things differently, sometimes all you need to do is see great work to get inspired.

I remember a conversation from back in my student days where my typophile friends and I debated what the ultimate typeface of the twentieth century was, a typeface that summed up all of the era’s advancements and knowledge into a coherent whole, one that would be a reference for years to come. Helvetica was one of the candidates for its sheer ubiquity, proof of its overall acceptance. Another, more subtle proposal was Jan van Krimpen’s Romulus, one of the first typefaces to have related Sans and Serif versions. And another, my personal pick, was Univers by Adrian Frutiger. Univers specimen, Deberny et Peignot, Paris, 1964. Thanks to Linotype GmbH for providing the illustration. Showcase Of Typography Prints - The Best New Ones Typography fascinates us because it produces incredible artwork that can transmit powerful messages. If you are not into typography you must think typography is an easy art. However, just choosing a typeface is not typography. Any person can use typefaces, some can even choose good typefaces, but only few master typography. Typography is a really old discipline that asks the designer to study a lot, to make concentrated efforts and looking at printed materials as well as inspirational items.

I Love Typography » Blog Archive Drawing Line — I Love Typography In the spring of 2012, Stefania Malmsten became the new Creative Director of Swedish fashion & culture magazine Rodeo. Stefania was living in New York at the time, working with Swedish and American clients from the collaborative workspace Studiomates in Dumbo, Brooklyn. She had decided to move back to Sweden where she had started her career with designing iconic magazines like Pop and Bibel. Stefania is known for the attention to typography in her design work: “I’m very passionate about photography and I’m very passionate about typography. I never wanted to choose between being a graphic designer and an art director and that’s why I love working with magazines and titles for film.

Letterform for the Ephemeral on Typography Served The use of people’s body as a display medium in exchange for money has been a fairly common vision in the streets of London for almost two hundred years. One of the only work prospects for non-English speakers involves standing on a busy street while holding printed advertising at the end of a stick or wearing it on boards around their neck, a position known as human billboard). Using the human body as a message display facility is a way of evading a tax on advertising by making it mobile, but also by using the humanity of the subject and its “freedom of speech” as a legal argument. The flexibility of this casual form of communication, combined with the performative potential of togetherness, provided the right components to start thinking of a malleable letterform expressing an ephemeral message.

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